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Chapters (54)
  1. COVER PAGE
  2. PRAISE FOR HANGMAN
  3. ABOUT THE AUTHOR
  4. EPIGRAPH
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. CHAPTER 36
  41. CHAPTER 37
  42. CHAPTER 38
  43. CHAPTER 39
  44. CHAPTER 40
  45. CHAPTER 41
  46. CHAPTER 42
  47. CHAPTER 43
  48. CHAPTER 44
  49. CHAPTER 45
  50. CHAPTER 46
  51. CHAPTER 47
  52. CHAPTER 48
  53. ACKNOWLEDGEMENTS
  54. SNEAK PEEK: HIDEOUT

The other half of the room could have come from a parallel universe. It has painted walls, a small bed and a fake window, letting in some approximation of daylight. An antique bedside table has a plastic lamp on it. A mirror. Clothes are scattered all over the floor. A skimpy nurse’s uniform. A police outfit, but not the kind a real police officer would wear. They’re like Halloween costumes, half buried under mountains of heels and lingerie.

Thick plexiglass separates the bedroom from the rest of the panic room. The glass is scratched but not dented from weeks or months of battering. Air holes have been cut in it, and there’s a transparent door. Four hinges on one side and three padlocks on the other.

A camera is mounted on a tripod on this side of the glass. Through the lens, this would look more or less like a normal bedroom, except for the two paint buckets in the corner.

Thistle’s voice: A doll can work twenty-four hours per day, seven days a week. And Howard’s: You know how many cam girls are prisoners in those little rooms?

A young woman in a schoolgirl’s skirt and sweater is slapping her palms on the glass. Her cheeks are hollow after days of starvation. I assume she hasn’t eaten or drunk since Luxford fled. Her bloodshot eyes are wide with desperation and terror.

‘Get me out of here!’ she shrieks. ‘Please, just get me out of here! Help me!’

‘Holy shit,’ Thistle breathes.

I rattle the padlocks. I didn’t see any keys when we were searching the place. ‘We’ll need Albrecht’s tools,’ I say.

‘On it.’ Thistle runs back out of the room.

‘No! Don’t leave me, please don’t leave me!’ The woman is sobbing with terror. ‘Come back!’

I’ve only been in here for fifteen seconds, and already I know how she feels. Even with the remote in my pocket, it’s hard to suppress the panic. What if the door closes? What if the batteries in the remote die and we get trapped? No daylight. No fresh air. No one would be able to hear us shouting for help.

‘It’s okay,’ I say. ‘We’re gonna get you out of here.’

The woman doesn’t even seem to hear me. ‘Please, just let me out. Let me out. He could be back any minute.’

I stick my fingers through the air holes. ‘There are two more police officers downstairs. He can’t hurt you anymore. It’s over.’

The woman is shaking, long dark hair falling all over her face. Wheezing like an asthmatic. Now that rescue is so close, she’s freaking out. I bet she wasn’t this scared when the situation seemed hopeless. The mind is a funny thing.