Vance Weston, in truth, could not dissociate stability from stagnation, any more in religion than in business. All the people he had heard of who hadn't got a move on at the right minute, in whatever direction, were down and out. Even the most high-minded among the ministers admitted this, and emphasized religion as the greatest known shortcut to Success. (If you'd come and join their Sunday evening classes for young men, and subscribe to Zion's Spotlight, you'd find out why.) Yet, in spite of this, nobody had managed, in Vance Weston's lifetime, to evolve a new religion, and they were all still trying to catch a new generation with the old bait.

Thinking about religion ran in Vance's family—at least on his mother's side. Grandma Scrimser had always cared about it more than about anything else. At sixty-five she was still a magnificent-looking woman, rather like pictures of a German prima donna made up as a Walkyrie; with stormy black eyebrows, short yellowish-white hair (years before the young ones began to be bobbed), and a broad uncertain frame which reminded Vance (after he had acquired lights on modern art) of a figure by an artist who had genius but didn't know how to draw.