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Chapters (40)
  1. ACKNOWLEDGEMENTS
  2. DRAMATIS PERSONAE
  3. PROLOGUE
  4. BOOK ONE - FACES IN THE ROCK
  5. CHAPTER ONE
  6. CHAPTER TWO
  7. CHAPTER THREE
  8. CHAPTER FOUR
  9. BOOK TWO - COLD IRON
  10. CHAPTER FIVE
  11. CHAPTER SIX
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. CHAPTER NINE
  15. CHAPTER TEN
  16. CHAPTER ELEVEN
  17. BOOK THREE - SOMETHING BREACHES
  18. CHAPTER TWELVE
  19. CHAPTER THIRTEEN
  20. CHAPTER FOURTEEN
  21. CHAPTER FIFTEEN
  22. CHAPTER SIXTEEN
  23. CHAPTER SEVENTEEN
  24. BOOK FOUR - HOUSE OF CHAINS
  25. CHAPTER EIGHTEEN
  26. CHAPTER NINETEEN
  27. CHAPTER TWENTY
  28. CHAPTER TWENTY-ONE
  29. CHAPTER TWENTY-TWO
  30. CHAPTER TWENTY-THREE
  31. CHAPTER TWENTY-FOUR
  32. CHAPTER TWENTY-FIVE
  33. CHAPTER TWENTY-SIX
  34. EPILOGUE
  35. GLOSSARY
  36. ASCENDANTS
  37. BRIDGEBURNERS
  38. ELDER PEOPLES
  39. THE WARRENS
  40. THE DECK OF DRAGONS

To raw beauty, such as he saw before him now. He was not one for fighting, for rituals of destruction. He was always reluctant to dance in the deeper recesses of the caves, where the drums pounded and the echoes rolled through flesh and bone as if one was lying in the path of a stampeding herd of ranag – a herd such as the one Onrack had blown onto the cave walls around them. His mouth bitter with spit, charcoal and ochre, the backs of his hands stained where they had blocked the spray from his lips, defining the shapes on the stone. Art was done in solitude, images fashioned without light, on unseen walls, when the rest of the clan slept in the outer caverns. And it was a simple truth, that Onrack had grown skilled in the sorcery of paint out of that desire to be apart, to be alone.

Among a people where solitude was as close to a crime as possible. Where to separate was to weaken. Where the very breaking of vision into its components – from seeing to observing, from resurrecting memory and reshaping it beyond the eye’s reach, onto walls of stone – demanded a fine-edged, potentially deadly propensity.

A poor bonecaster. Onrack, you were never what you were meant to be. And when you broke the unwritten covenant and painted a truthful image of a mortal Imass, when you trapped that lovely, dark woman in time, there in the cavern no-one was meant to find . . . ah, then you fell to the wrath of kin. Of Logros himself, and the First Sword.

But he remembered the expression on the young face of Onos T’oolan, when he had first looked upon the painting of his sister. Wonder and awe, and a resurgence of an abiding love – Onrack was certain that he had seen such in the First Sword’s face, was certain that others had, as well, though of course none spoke of it. The law had been broken, and would be answered with severity.

He never knew if Kilava had herself gone to see the painting; had never known if she had been angered, or had seen sufficient to understand the blood of his own heart that had gone into that image.

But that is the last memory I now come to.

‘Your silences,’ Trull Sengar muttered, ‘always send shivers through me, T’lan Imass.’

‘The night before the Ritual,’ Onrack replied. ‘Not far from this place where we now stand. I was to have been banished from my tribe. I had committed a crime to which there was no other answer. Instead, events eclipsed the clans. Four Jaghut tyrants had risen and had formed a compact. They sought to destroy this land – as indeed they have.’