Jenkins had come up to a white board fence separating the backyards of two houses. “I’m going to stop at this fence. If he’s not behind me, he’s got to be close, and I don’t think he got past me. Virgil, why don’t you walk up the street and shine your light between the houses up ahead of me. If that doesn’t flush him out, get between the houses and light up the two backyards ahead of me. Shrake, you stay where you are, watch both streets.”

“Got it,” Shrake said.

“Careful,” Virgil said. “He’s good with that bow—hit me right in the heart.”

—

The cop was standing in the street, thirty yards away. He looked huge, and fat—a bulletproof vest. The shooter was both frightened and angry. The broadheads could rip through a four-hundred-pound elk. They wouldn’t be slowed down by a man, but they wouldn’t make it through that vest.

Not unless the cop turned and opened up with a shot from the side. The cop was moving this way and that as he shined his light down two interesting streets, first this one, then the other. The shooter nocked another arrow.

—

Virgil moved up the street, shining his lights between the houses on his side. A woman came out, and called, “Who are you? What are you doing? I’ve called the sheriff . . .”

“Police. We’re looking for a man. Go inside and lock all your doors.”

She disappeared, and he moved on.

He was coming to the last pair of houses before he got to the next street, where Shrake was, and could see the beam from Shrake’s flashlight when its beam seemed to flip in the air, and Shrake screamed, “I’m hit . . . I’m hit.”

There was more, but Virgil didn’t hear the rest. He started running, and Jenkins shouted, “I’m coming.” Virgil ran between the last two houses into one of the backyards and saw Jenkins clearing the fence, and, at the same time, he saw a dark figure dart into the street on the opposite side, and somebody in another house yelled, “There he goes!”

Virgil saw Jenkins running up to Shrake’s light—he couldn’t see Shrake—and he decided to go after the shooter, running between the two houses opposite, vaulting the board fence, tripping on the top rail and falling facedown onto the hard lawn, got to his feet, ran on; he was wearing the cowboy boots and wasn’t as fast as he might have been, but he got his light and gun out in front of him and ran into the street, and a man on a porch, wearing a white T-shirt and white underpants, yelled, “He went there, by the gray house,” and Virgil ran past the gray house and saw . . . nothing. Nothing moving.