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Chapters (34)
  1. Cover
  2. ALSO BY JOHN SANDFORD
  3. Dedication
  4. 1
  5. 2
  6. 3
  7. 4
  8. 5
  9. 6
  10. 7
  11. 8
  12. 9
  13. 10
  14. 11
  15. 12
  16. 13
  17. 14
  18. 15
  19. 16
  20. 17
  21. 18
  22. 19
  23. 20
  24. 21
  25. 22
  26. 23
  27. 24
  28. 25
  29. 26
  30. 27
  31. 28
  32. 29
  33. ABOUT THE AUTHOR
  34. What’s next onyour reading list?

The shooter had moved silently across a dozen lawns to the back of the Vissers’ house. The basic plan was simple enough: noise outside that back door—thrown stones—should bring Flowers outside. Simple . . . but frightening. If the arrow missed, the cop would be right there with a gun, and the shooter was twenty yards away. There’d been a couple of stories on the internet that hinted that Flowers was not the best pistol shot in the world, but he could hardly miss at twenty yards when a body hit anywhere would be sufficient . . .

Then the back porch light came on, a yellow bug light, and the shooter’s arrow was already nocked. Flowers stepped out on the stoop and posed there like one of those range targets showing an ISIS terrorist staring at you with mad eyes . . .

The bow was up, the arrow on its way and flying true, and Flowers tumbled back into the house, and then the shooter stood up, and Flowers shouted, “He shot me with an arrow . . .”

Trap.

—

Virgil heard somebody shout “Going now,” either Jenkins or Shrake, and the other one yelled, “Are you hurt?” Virgil wasn’t registering which one, and he pulled the arrow out of his armor, sat up, looked out into the dark, and shouted, “I’m okay, I’m good. I’m coming.”

He could see nothing at all, but he did hear car doors slamming and the thumping footfalls from somebody running, and then more, and then Shrake yelled, “There he goes, he’s running west toward Sherburne . . . Jenkins . . . he’s going across the fences in the backyards.”

“You guys . . . be careful . . . You can’t see him, you can’t hear him . . . Be careful . . .” Virgil yelled into the radio. He rolled to his feet and ran out the door and saw Jenkins running in front of the light coming from a neighbor’s window, and he ran that way, shouting, “Jenkins, I’m behind you. I’m back here, don’t shoot me.”

Jenkins shouted back, “Virgil, go out to Westfall. Shrake, get up on the corner of Sherburne, he has to cross the street. I’ll push him out of these yards . . . I’m gonna put some light on him.”

Jenkins, who was carrying a superbright tactical flashlight, turned it on and lit up the backyards, as Virgil jogged out to Westfall Road, crouched behind a tree, and turned on his own light. He could still see Jenkins, on his knees, gun up, playing his light over the area between the houses. A block away, Shrake was lighting up a cross street. Unless the shooter had been moving very fast, he should be boxed in in the backyards.

More lights began coming on in the neighborhood as they called back and forth. Jenkins shouted, “Moving up one. This yard is clear.”

—