Back Heaven, My Home
Chapters (40)
  1. Cover
  2. Title Page
  3. Copyright
  4. Dedication
  5. Epigraph
  6. Marion County
  7. Part One
  8. 1.
  9. 2.
  10. 3.
  11. 4.
  12. Part Two
  13. 5.
  14. 6.
  15. 7.
  16. 8.
  17. 9.
  18. Part Three
  19. 10.
  20. 11.
  21. 12.
  22. 13.
  23. 14.
  24. 15.
  25. 16.
  26. Part Four
  27. 17.
  28. 18.
  29. 19.
  30. 20.
  31. 21.
  32. 22.
  33. 23.
  34. 24.
  35. Camilla
  36. Acknowledgments
  37. Discover More
  38. About the Author
  39. Also by Attica Locke
  40. Praise for Attica Locke’s

The storefront was on East Austin Street, past the Jefferson General Store, which sold everything from moonshine jelly to locally made maple syrup to cowboy-boot galoshes to dixie-flag bikinis; it was on the other side of the railroad tracks, in the middle of a row of antiques shops that had Lone Star flags flying out front and rusted neon soda signs stacked near their front doors, which were outlined in Christmas lights seemingly blinking in time to the rhythm of the Oak Ridge Boys’ “Because of Him” on speakers inside each store.

Marcus’s shop was not so festively adorned.

He was early with a Kwanzaa kinara in the front window, each red, black, and green candle dry and dusty, as they’d certainly been sitting out since last December, and there were a few yellowing photos tacked to the windows, paintings of the lake and drawings of Caddo Indians, plus early photographic images of slaves, a group gathered in front of a small cabin, their skin scarred, bones gnarled at their joints, but other than that, the storefront and the store itself appeared nearly empty. Darren removed his hat to press his face against the window. Inside, he saw an open cardboard box of books, a table with a calculator, pad, and pencil, but no register, no proprietor, no sign of life at all.

But the door was unlocked.

It smelled of mothballs and incense when Darren stepped inside. There was an air-conditioning unit shaking in one of the windows near the back of the store, though the word store seemed not so much to describe Marcus Aldrich’s Truth and Treasures as openly mock it. There were more photographs inside, laid out on the long table in no discernible order. They were each encased in a plastic sleeve with a tiny colored sticker in the corner, circles of green, yellow, blue. Darren ran his fingers through the stack of pictures like he was splaying out cards in a saloon. His eyes stopped on a queen: a woman in a daguerreotype was wearing a familiar ruffled white dress, cinched as tight at the waist as it was at her throat, so it appeared these body parts measured the same. He saw black eyes, felt, when he looked at her tight-lipped smile, the same bolt of panic he had when she’d stood over his bed. Although without a derringer in her hand, this was the same woman. A ghost or a dream, who knew, though he couldn’t bring himself to believe the former.

“The yellows are fifty,” a voice said.