“And Blacks?” asked Balzac.

“They learn to put it into objects, or perhaps they find it there, I don’t know. Since I’ve never done it myself, nor has Alvin, we could only speculate. Some things I’ve seen in Black folks’ heartfires, though—I could hardly believe it. Yet it’s so. Arthur Stuart’s mother—she had extraordinary power, and by making something, she gave herself wings. She flew.”

Balzac laughed, then realized she wasn’t joking or even speaking metaphorically. “Flew?”

“At least a hundred miles,” said Margaret. “Not far enough, not entirely in the right direction, but it was enough to save her baby, though her own strength and life were spent.”

“This Arthur Stuart, why don’t you ask him how the power of Black people works?”

“He’s just a boy,” said Calvin scornfully, “and he’s half-White anyway.”

“You don’t know him,” said Margaret. “He doesn’t know how the powers of Blacks work because it isn’t carried in the blood, it’s taught from parent to child. Alvin learned the greensong of the Reds because he became like a child to Tenskwa-Tawa and Ta-Kumsaw. Arthur Stuart grew up with his power shaped into a knack, like Whites, because he was raised among Whites. I think Blacks have a hard time holding on to their African ways. Maybe that’s why Fishy can’t remember her real name. Someone took her name from her, took her soul, to keep it in hiding, to keep it safe and free. But now she wants it back and she can’t get it because she’s not African-born, she’s not surrounded by a tribe, she’s surrounded by beaten-down slaves whose heartfires and names are all in hiding.”

“If they got all these powers,” said Calvin, “how come they’re slaves?”

“Oh, that’s easy,” said Balzac. “The ones who capture them in Africa, they are also African, they know what the powers are, they keep them from having the things they need.”

“Blacks against Blacks,” said Margaret sadly.

“How do you know all that?” Calvin asked Balzac.

“I was at the docks! I saw the Blacks being dragged off the ships in chains. I saw the Black men who searched them, took away little dolls made of cloth or dung, many different things.”

“Where was I when you were seeing this stuff?”

“Drunk, my friend,” said Balzac.

“So were you, then,” said Calvin.

“But I have an enormous capacity for wine,” said Balzac. “When I am drunk I am at my best. It is the national knack of the French.”

“I wouldn’t be proud of it if I were you,” said Margaret.

“I wouldn’t be sanctimonious about our wine, here in the land of corn liquor and rye whiskey.” Balzac leered at her.

“Just when I think I might like you, Monsieur Balzac, you show yourself not to be a gentleman.”

“I don’t have to be a gentleman,” said Balzac. “I am an artist.”

“You still walk on two legs and eat through your mouth,” said Margaret. “Being an artist doesn’t give you special privileges. If anything, it gives you greater responsibilities.”