His attention, and therefore his doodlebug. That’s what the doodlebug was, really—his full attention. That’s what was missing from Calvin. Even when things happened around his body, happened to his body, he could not bring his attention back to it. His body was no doubt sending him frantic signals demanding his attention.

The slaves, on the other hand, couldn’t possibly have surrendered their attention to the man named Denmark.

What they gave up was their passion, their resentment, their will to freedom. And their names.

That was an important conclusion: There was no reason to think that this Denmark fellow had Calvin’s name. In fact, what he probably had was a net of hexwork that contained the free portion of separated souls. He might not even be aware that Calvin’s doodlebug had got inside. The hexes caught him automatically, like the workings of an engine. The hexwork also served to hide the soulstuff that it contained. Calvin could not see out, and could not be seen inside.

But the hexes could be seen. Margaret could not possibly find them, since she saw only heartfires, and if a man knew how to hide heartfires from her, he could certainly hide his own heartfire so she could not discover the man who knew the secret.

“Is he hiding from me?” she wrote.

He doesn’t know you exist. He’s hiding from everybody.

“How could Calvin be captured, when he didn’t make the little knotted things the slaves made?”

I don’t know the workings of Black powers, but my guess is that each slave put his own name and all his fears and hatred into the knotwork. They needed the knots in order to lift this part of their souls out of their bodies. Calvin needed no such tool.

“They had to do a Making?” she wrote.

Yes, he thought, that’s what it was. A Making. Whether it was the power of Whites or Reds or Blacks, that’s what it came down to: connecting yourself to the world around you by Making. Reds made the connection directly—that connection was their Making, the link they forged between man and animal, man and plant, man and stone. Blacks made artifacts whose only purpose was power—poppets and knotted strings. Whites, however, spent their lives making tools that hammered, cut, tore at nature directly, and only in the one area that they called their knack did they truly make that link. Yet they did make that connection. They were not utterly divorced from the natural world. Though Alvin could imagine such men and women, never feeling that deep, innate connection, never seeing the world change by the sheer action of their will in harmony with that part of nature. How lonely they must be, to be able to shape iron no other way than with hammer and anvil, fire and tongs. To make fire only by striking flint on steel. To see the future only by living day to day and watching it unfold one path at a time. To see the past only by reading what others wrote of it, or hearing their tales, and imagining the rest. Would such people even know that nature was as alive and responsive as it is? That hidden powers move in the world—no, not just in the world, they move the world, they are the world at its foundation? How terrible it would be, to know and yet not touch these powers at any point. Only the bravest and wisest would be able to bear it. The rest would have to deny the hidden powers entirely, pretend they did not exist.