‘No. No one. Although, there were people starting to arrive as we walked up the lane, so I don’t know that I’d . . .’ I was going to say, I don’t know that I’d have even noticed, but I can’t bring myself to say it out loud.

‘And what about Laurel’s father? Fran says that he was supposed to meet you all here this evening?’

‘He was,’ I say, frowning slightly, ‘he’s a surgeon – a heart surgeon at the hospital in South Oxbury – but he didn’t make it here, obviously.’

‘I tried to get hold of him,’ Fran says, a frown to match my own creasing her forehead. She pauses for a moment and blinks hard. ‘I called him a few times, but it just kept going to bloody voicemail.’ She presses her lips together and looks away, wrapping her arms tightly around herself.

‘It was sort of a big deal, tonight . . .’ I say in a low voice, ‘he works really long hours, but he’d promised Laurel that he would make it.’

‘Can we try him again?’ The blonde officer who spoke to me earlier has arrived to stand next to her colleague, and she looks to DS Wright for confirmation.

‘I’ll do it,’ I say, glancing at Fran. She looks white, the blue lights still pulsing in the background giving her face a sickly sheen every time they pass over her features. ‘I’ll call him.’

I call his number, my fingers fumbling with the phone, but I don’t know if it’s through shock or simply the cold. Just as it did for Fran, the voicemail kicks in within a couple of rings.

‘Dominic? It’s Anna. Can you call me as soon as you get this?’ Fran is talking to DS Wright, so I step away slightly, hanging up the phone and scrolling down to the number I am only to call in strict emergencies. This counts, I think to myself, this definitely counts as an emergency. It starts to ring, and I press one finger into my ear in order to hear better, as I feel the blonde officer’s eyes on me – DC Barnes, I think Wright called her. I turn my back and wait for the call to be answered.

‘Theatre,’ a gruff voice barks into the receiver.

‘Oh, hello,’ I say, gripping the phone tightly as I try to keep my voice steady, ‘I need to speak with Mr Jessop, please, it’s rather urgent. Can you tell me if he’s in theatre, or is he available?’

‘Mr Jessop?’ There is a pause on the line and a murmur of voices faintly in the background, and I imagine the nurse glancing at the whiteboard, then asking her colleague, checking to see which theatre he might be in. ‘Sorry, he’s not on this evening. His list finished at five o’clock.’