Back Happy Hour In Hell
Chapters (60)
  1. DAW Books Presents
  2. HAPPY HOURINHELL
  3. Copyright page
  4. Contents
  5. Dedication
  6. ACKNOWLEDGMENTS
  7. prologue
  8. one
  9. two
  10. three
  11. four
  12. five
  13. six
  14. interlude
  15. seven
  16. eight
  17. nine
  18. ten
  19. eleven
  20. twelve
  21. interlude
  22. thirteen
  23. fourteen
  24. interlude
  25. fifteen
  26. sixteen
  27. seventeen
  28. eighteen
  29. nineteen
  30. twenty
  31. twenty-one
  32. interlude
  33. twenty-two
  34. twenty-three
  35. twenty-four
  36. twenty-five
  37. twenty-six
  38. twenty-seven
  39. twenty-eight
  40. twenty-nine
  41. thirty
  42. thirty-one
  43. thirty-two
  44. thirty-three
  45. thirty-four
  46. thirty-five
  47. thirty-six
  48. thirty-seven
  49. thirty-eight
  50. thirty-nine
  51. forty
  52. forty-one
  53. forty-two
  54. forty-three
  55. forty-four
  56. forty-five
  57. forty-six
  58. forty-seven
  59. forty-eight
  60. epilogue

The Hall is a bit like a human cathedral, but the proportions are so extreme, it’s obvious that earthly concerns like gravity, mass, and tensile strength didn’t come into the equation; a tower of nearly pure light, with only enough spiderweb-thin structure to let you know you’re inside something. At the center of it, surrounded by a space where literally hundreds of thousands could gather even under earthly constraints, stands a massive pillar of liquid crystal—liquid because it’s moving, crystal because it’s moving so slowly you’d never know it if you didn’t know it, if you see what I mean. This diamond waterfall with a zillion internal facets is called the Paslogion, and it’s a sort of clock, I think, or at least it represents the same kind of idea. As to how to read it, don’t ask me. I don’t know if it really even works or if it’s just some kind of big decoration like the Eiffel Tower or the Statue of Liberty. I do know it’s one of the most awesome things I’ve ever seen. Just looking at it, you feel that if you did understand it, you’d understand pretty much everything about how the entire cosmos works, and that infinity probably sounds like the entire catalogue of J. S. Bach all played at the same time and yet totally in harmony.

All of this grandeur might have been less daunting if something was already going on when we appeared inside the Judgement Hall. But instead the place was empty except for me, Temuel, and the awesome Paslogion.

“And here I leave you.” Without any more warning than that, Temuel vanished. I couldn’t help wondering why he was in such a hurry to get out of there, and I couldn’t come up with any happy answers.

It’s hard to think negative thoughts in Heaven. Most of the time I’m there I feel like a baby seal brutally clubbed by joy, but I confess, my thoughts about Temuel going off and leaving me by myself were less than charitable.

What about the consolation of religion for the condemned man, I wondered. Isn’t somebody supposed to at least hold my hand while I wait to be executed? But if my superiors were finally going to clean up the mess I’d always been, why bother to bring me all the way here and then not even gather an audience? It would be easy enough to switch me off; for Heaven, probably easier than flicking a light switch. Did they just want to remind me how small I was before they stepped on me?