Back Happy Hour In Hell
Chapters (60)
  1. DAW Books Presents
  2. HAPPY HOURINHELL
  3. Copyright page
  4. Contents
  5. Dedication
  6. ACKNOWLEDGMENTS
  7. prologue
  8. one
  9. two
  10. three
  11. four
  12. five
  13. six
  14. interlude
  15. seven
  16. eight
  17. nine
  18. ten
  19. eleven
  20. twelve
  21. interlude
  22. thirteen
  23. fourteen
  24. interlude
  25. fifteen
  26. sixteen
  27. seventeen
  28. eighteen
  29. nineteen
  30. twenty
  31. twenty-one
  32. interlude
  33. twenty-two
  34. twenty-three
  35. twenty-four
  36. twenty-five
  37. twenty-six
  38. twenty-seven
  39. twenty-eight
  40. twenty-nine
  41. thirty
  42. thirty-one
  43. thirty-two
  44. thirty-three
  45. thirty-four
  46. thirty-five
  47. thirty-six
  48. thirty-seven
  49. thirty-eight
  50. thirty-nine
  51. forty
  52. forty-one
  53. forty-two
  54. forty-three
  55. forty-four
  56. forty-five
  57. forty-six
  58. forty-seven
  59. forty-eight
  60. epilogue

This was when I was in Counterstrike, the paramilitary unit where I first trained, and word came down to us that our superiors suspected the hairy hand of Hell. If “Smyler” had come back from the dead, then there was only one explanation, and it had horns and carried a pitchfork. That seemed pretty weird from our end, because the murderer’s M.O. was exactly the same as before, students and other young people. See, normally, if the Opposition have an asset like that they put him or her to work doing something more useful than just random killing. Leo, my old top-kicker, said they might be using Smyler to shake people up, improve the climate for Hell’s other operations, if you get what I’m saying. Like they taught us in Angel Training, the Opposition thrives in chaos, and it was pretty clear that chaos was what this guy was causing. The newspapers persuaded someone on the force to talk about the “SMYLE” tags and soon it was “Graffiti Murderer Returns!” and “Ghost or Copycat?” and all that bullshit. For months it was like Son of Sam had come to Jude. A couple of cruising dumbasses got shot at by scared college girls carrying their daddies’ guns, and half the waterfront tourist business dried up.

I won’t bore you with all the details of how we tracked the guy down. Counterstrike Unit Lyrae, also known as the Harps, have methods the cops don’t even dream of, and that was necessary, because Smyler was no longer a living man. Not that finding him was easy, even for us. Whatever made him into a psychopathic murderer had been refined and polished by Hell, and San Judas was a fuck of a lot bigger and easier to hide in than the little Pacific Coast towns he’d been haunting in the ’70s. He actually killed another one after we started looking for him, a paperboy out on his morning rounds, and that burned all of us in the Harps like fire. Also, he was beginning to spread his net wider now, and the papers picked up on it. It was like the whole city was going mental. We had to deal with him quickly. We got a lucky break, a tip from an informant that put us right on his tail.

It turned out the killer wasn’t even staying in San Judas itself, but in an abandoned junkyard down in Alviso that had been red-tagged by the EPA for toxins and was awaiting Superfund cleanup. What did Smyler care if the place would have killed anyone else? He was already dead. He wasn’t even living in the deserted office; instead, he’d made a burrow for himself in the piles of wrecked autos and discarded appliances, nesting down in the middle like a rat.