“Step out,” I said to the nearest passenger, a woman with no eyes. Just to make sure she understood, I pressed the barrel of my revolver gently against her forehead. She stepped out. The other passengers quickly followed her. I waved my gun at the passengers outside; they got the idea, moving back from the door. When it closed again and the lifter started down once more, I was alone with the two motionless soldiers, each an ugly, lumpy island in a spreading sea of blood.

I knew they weren’t dead in any ordinary sense, although these bodies might never be functional again, but I didn’t want to take the risk that they might regenerate on me, so I stopped the car at a random floor, checked to make certain nobody was waiting to get on, then dragged the two semi-corpses out of the car. It wasn’t easy—it took me the best part of three minutes to wrestle all that weight by myself, and when I got the door closed and the lifter moving down once more, I looked like I’d just taken a blood shower. I probably didn’t smell all that great, either, but I had bigger things to worry about.

You know how when you’re trying to think of something really important, these other, much less important ideas keep jumping into your head like bunnies on crystal meth, boing, boing, boing, anything except what you’re supposed to be thinking about? You don’t? It’s just me, huh?

Maybe it was Eligor’s crab-demon flexing in my skull, or maybe just exhaustion, but as I was doing my best to figure out what I should do next, I kept getting distracted by ideas that really were not very important right at that moment, like if Hell was no more of a physical location than Heaven was, why was it so much more realistic? Why did people bleed? Why did they eat? Why go to all the trouble of making a permanent torture chamber, then giving it its own ecology and unnecessary shit like that? Was that God’s idea or the Devil’s? What agreement did they have, exactly?

Then I’d catch myself and try to start thinking about survival again.