Back Happy Hour In Hell
Chapters (60)
  1. DAW Books Presents
  2. HAPPY HOURINHELL
  3. Copyright page
  4. Contents
  5. Dedication
  6. ACKNOWLEDGMENTS
  7. prologue
  8. one
  9. two
  10. three
  11. four
  12. five
  13. six
  14. interlude
  15. seven
  16. eight
  17. nine
  18. ten
  19. eleven
  20. twelve
  21. interlude
  22. thirteen
  23. fourteen
  24. interlude
  25. fifteen
  26. sixteen
  27. seventeen
  28. eighteen
  29. nineteen
  30. twenty
  31. twenty-one
  32. interlude
  33. twenty-two
  34. twenty-three
  35. twenty-four
  36. twenty-five
  37. twenty-six
  38. twenty-seven
  39. twenty-eight
  40. twenty-nine
  41. thirty
  42. thirty-one
  43. thirty-two
  44. thirty-three
  45. thirty-four
  46. thirty-five
  47. thirty-six
  48. thirty-seven
  49. thirty-eight
  50. thirty-nine
  51. forty
  52. forty-one
  53. forty-two
  54. forty-three
  55. forty-four
  56. forty-five
  57. forty-six
  58. forty-seven
  59. forty-eight
  60. epilogue

I had a little more luck in one of the smaller shops, where a bedraggled old woman-thing with a face like a bunch of parsnips stapled together and fingers like dead twigs told me my sample was “the real thing,” the dye being something that nobody used anymore except for Chateau Machecoul, one of the most exclusive clothing stores in Pandaemonium. She told me this for free, which made me suspicious, but she also took a look at my clothes and declared I’d never be allowed in looking like such a gross peasant, which made me feel a little better. If someone isn’t saying something unpleasant to you in Hell, you should be checking to see if they’ve stuck a knife in your back.

I asked her to recommend a few things for me that might make a visit to Machecoul more successful. The prospect of extorting some money from me brightened her up considerably, and she spent the good part of an hour rigging me an outfit that wouldn’t have drawn attention in a community theater production of The Pirates of Penzance. She assured me that I looked like a leader of Pandaemoniac fashion, and as I examined my reflection in a polished sheet of metal I could almost agree. Yet another reason for me to get out of Hell as quickly as possible.

I knew better than just to walk up to a place like Chateau Machecoul. In Hell, going anywhere on your own little hooves is like announcing that you’re poor as dirt and eligible to be eaten by anything higher up the food chain, so I hired a cab, a sort of huffing steam crab on huge spiked wheels, and had it drop me off on the corner of Torquemada Street and Ranavalona Avenue in the Tumbrel District, a wealthy neighborhood where the mistresses and catamites of powerful demons did their shopping. I could believe that, since most of the demons and damned I saw there were either ridiculously beautiful in some very extreme ways, or deformed in some specifically sexual manner.