Chapters (60)
- DAW Books Presents
- HAPPY HOURINHELL
- Copyright page
- Contents
- Dedication
- ACKNOWLEDGMENTS
- prologue
- one
- two
- three
- four
- five
- six
- interlude
- seven
- eight
- nine
- ten
- eleven
- twelve
- interlude
- thirteen
- fourteen
- interlude
- fifteen
- sixteen
- seventeen
- eighteen
- nineteen
- twenty
- twenty-one
- interlude
- twenty-two
- twenty-three
- twenty-four
- twenty-five
- twenty-six
- twenty-seven
- twenty-eight
- twenty-nine
- thirty
- thirty-one
- thirty-two
- thirty-three
- thirty-four
- thirty-five
- thirty-six
- thirty-seven
- thirty-eight
- thirty-nine
- forty
- forty-one
- forty-two
- forty-three
- forty-four
- forty-five
- forty-six
- forty-seven
- forty-eight
- epilogue
Dis Pater Square is the biggest public space in Pandaemonium, the heart of Hell’s capital city. But just as the center of Paris starts at Notre Dame and stretches along the Champs Élysées to the Arc de Triomphe, so the center of Hell stretched all the way along the Via Dolorosa, the wide, grim avenue where triumphant demon-generals marched. The Circus, otherwise known as the Amphitheater of Commodus, was at the end of the Via Dolorosa, next to Leopold Square. Commodus was one of the worst of the Roman emperors, a murderous psychopath in the vein of Caligula and Nero, but unlike Nero, Commodus had never tried to cheat Hell. In fact, Commodus had a major landmark in Hell named after him instead of a forgotten bridge, so my guess was that Eligor and Caym and the boys weren’t making Emperor Commodus sing opera in front of heckling crowds, either.
It cost two spits to travel by ferry across the steaming expanse of the Bay of Tophet, but it was much faster than walking, and I didn’t want to jam myself into one of the lurching, packed trains. I reached the landing at Leopold Square before the second beacon had even been lit, leaving me the infernal afternoon to reconnoiter. The amphitheater was closed, but a bribe to a guard—who looked like someone had tried to make walrus jerky and failed—got me inside, then a wearying hike up stony steps got me to the top to look around.
Commodus’ amphitheater looked a lot like the famous colosseum in Rome, except longer and about five times bigger. I’m pretty sure you could pack a few hundred thousand people into it, or what passed for people down here. A track extended around the entire length, but there was a separate space at the middle, clearly meant for something like gladiator fights. The sands of the track and the arena were rusty with dried blood.
Down in the lower part of the stands near the center of the amphitheater, a large section was sheltered by roofs of stretched skin, like giant albino pterodactyl wings. Since there was no sun in Hell, I was pretty certain the roof was for privacy for Hell’s most important, and perhaps to protect them from the missiles and saliva of the braver or at least crazier of the less fortunate above and behind them.