Back Happy Hour In Hell
Chapters (60)
  1. DAW Books Presents
  2. HAPPY HOURINHELL
  3. Copyright page
  4. Contents
  5. Dedication
  6. ACKNOWLEDGMENTS
  7. prologue
  8. one
  9. two
  10. three
  11. four
  12. five
  13. six
  14. interlude
  15. seven
  16. eight
  17. nine
  18. ten
  19. eleven
  20. twelve
  21. interlude
  22. thirteen
  23. fourteen
  24. interlude
  25. fifteen
  26. sixteen
  27. seventeen
  28. eighteen
  29. nineteen
  30. twenty
  31. twenty-one
  32. interlude
  33. twenty-two
  34. twenty-three
  35. twenty-four
  36. twenty-five
  37. twenty-six
  38. twenty-seven
  39. twenty-eight
  40. twenty-nine
  41. thirty
  42. thirty-one
  43. thirty-two
  44. thirty-three
  45. thirty-four
  46. thirty-five
  47. thirty-six
  48. thirty-seven
  49. thirty-eight
  50. thirty-nine
  51. forty
  52. forty-one
  53. forty-two
  54. forty-three
  55. forty-four
  56. forty-five
  57. forty-six
  58. forty-seven
  59. forty-eight
  60. epilogue

I did my best silent slink. It was more than a cave, I could now see, it was some kind of warehouse or distillery or both. On all sides of me, barely visible in the dim light, stood dozens upon dozens of thick glass vessels, each about the size of a restaurant soup kettle, stacked in rows on shelves that reached to the low ceiling. It looked like Vera was running some kind of medical supply warehouse down there.

“I do not blame you, of course,” I heard her say. “I don’t blame you at all. Every one of you has earned his place here. Every one . . .”

As I tiptoed forward, trying to find a vantage point through the crowded shelves so I could see who Vera was talking to, I caught an odd flash in one of the jars and let my gaze drift back to it.

Something looked back at me. A head. A bodiless head.

No, I realized as I bent down, it wasn’t completely bodiless, because it looked like many of the pieces that would constitute a body were bobbing in the jar with it, only none of them were connected to each other. I looked at the other jars and saw forearms with hands attached, the fingers splayed against the glass like gray-green starfish. I saw feet, and faces that had been removed from the skull and now looked more like masks, and of course penises—quite a few of those, too (although no more than one per container). And in every jar, as if it were the sun around which those nasty pale planets revolved, floated a head.

Revolted, I let my eyes slide back down the row, then up to the rows above, and then ahead to those that still lay before me, shelved on either side of the central passage. I knew I must be looking at Vera’s Immortals, all the lovers she had honored, the men who had treated her as she expected to be treated.

Fat lot of good it did them, I thought.

Then the nearest bodiless head winked at me and grinned.

Generally I try not to squawk like a frightened child when in surveillance situations, but it was too late to take it back now. Not only had I alerted Vera but I had probably been loud enough to let Smyler know where I was, too. In fact, I had probably let the people down in the Abaddon levels know where I was. Even the heads around me were beginning to wake up, rolling their eyes to see who had sent little-girl-scream waves through their formaldehyde.

No use pretending or skulking now. I stepped out into the center of the walkway and went forward. Vera stood at the center of the cavern room in the midst of rows of sturdy, ugly shelves, each nearly full of glass jars, each glass jar with its own set of hands and hearts and balls and staring eyes.