Chapters (60)
- DAW Books Presents
- HAPPY HOURINHELL
- Copyright page
- Contents
- Dedication
- ACKNOWLEDGMENTS
- prologue
- one
- two
- three
- four
- five
- six
- interlude
- seven
- eight
- nine
- ten
- eleven
- twelve
- interlude
- thirteen
- fourteen
- interlude
- fifteen
- sixteen
- seventeen
- eighteen
- nineteen
- twenty
- twenty-one
- interlude
- twenty-two
- twenty-three
- twenty-four
- twenty-five
- twenty-six
- twenty-seven
- twenty-eight
- twenty-nine
- thirty
- thirty-one
- thirty-two
- thirty-three
- thirty-four
- thirty-five
- thirty-six
- thirty-seven
- thirty-eight
- thirty-nine
- forty
- forty-one
- forty-two
- forty-three
- forty-four
- forty-five
- forty-six
- forty-seven
- forty-eight
- epilogue
Then the singer portraying the emperor made his entrance, and for the first time I sensed something odd going on. It wasn’t anything about the performer, at least, not to look at. He wasn’t particularly handsome, a bit thick-faced, with a sagging, wrinkled neck, and his legs were a bit skinny for the toga he was wearing, but I sure didn’t recognize him. Others did, however, and he was greeted with applause and, to my surprise, a few catcalls and some laughter. Also, unlike the other singers, he did not look particularly comfortable on stage, which made him an odd choice to play the monarch. I supposed he had a fabulous voice to make up for it, because everyone else in the cast seemed world-class. I was mildly startled when he got ready to sing, because his throat swelled like the bulging neck-sac of a bullfrog, though even that didn’t seem unusual: a lot of the other cast members and most of the audience bore some physical sign of what they were. But when he finally began his aria, the emperor’s voice was a distinct disappointment, more than a bit rough and not very strong. Some in the audience actually laughed, which made him falter, and the jeers grew louder as he doggedly pursued the song, his throat sac distending and shrinking like the bellows on an accordion, his face growing more fearful by the moment as the crowd shouted at him.
He finished and someone else began singing, but the spell of attention had been broken and many in the audience were talking or laughing out loud. I couldn’t figure it out at all, but as I wondered why such a poor singer should be trotted out in front of the nobility of Hell that way, I was distracted by a late entrance in the upper boxes. A hush fell over the crowd and some poor soprano’s aria was suddenly less important than everybody turning around to see who was being seated in President Caym’s box.
The late arrival didn’t look the same as the last time I’d seen him, but I still knew him instantly. He was dressed in a beautifully-cut white dress uniform, the kind of thing you’d expect to see at a royal funeral in some old newsreel, except that the white fabric was so artfully splattered with arterial splashes of scarlet that I had no doubt it had been designed that way. The only question was whether it was real blood or just dye. I thought I could guess.