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Chapters (57)
  1. Cover
  2. Dedication
  3. CHAPTER ONE
  4. CHAPTER TWO
  5. CHAPTER THREE
  6. CHAPTER FOUR
  7. CHAPTER FIVE
  8. CHAPTER SIX
  9. CHAPTER SEVEN
  10. CHAPTER EIGHT
  11. CHAPTER NINE
  12. CHAPTER TEN
  13. CHAPTER ELEVEN
  14. CHAPTER TWELVE
  15. CHAPTER THIRTEEN
  16. CHAPTER FOURTEEN
  17. CHAPTER FIFTEEN
  18. CHAPTER SIXTEEN
  19. CHAPTER SEVENTEEN
  20. CHAPTER EIGHTEEN
  21. CHAPTER NINETEEN
  22. CHAPTER TWENTY
  23. CHAPTER TWENTY-ONE
  24. CHAPTER TWENTY-TWO
  25. CHAPTER TWENTY-THREE
  26. CHAPTER TWENTY-FOUR
  27. CHAPTER TWENTY-FIVE
  28. CHAPTER TWENTY-SIX
  29. CHAPTER TWENTY-SEVEN
  30. CHAPTER TWENTY-EIGHT
  31. CHAPTER TWENTY-NINE
  32. CHAPTER THIRTY
  33. CHAPTER THIRTY-ONE
  34. CHAPTER THIRTY-TWO
  35. CHAPTER THIRTY-THREE
  36. CHAPTER THIRTY-FOUR
  37. CHAPTER THIRTY-FIVE
  38. CHAPTER THIRTY-SIX
  39. CHAPTER THIRTY-SEVEN
  40. CHAPTER THIRTY-EIGHT
  41. CHAPTER THIRTY-NINE
  42. CHAPTER FORTY
  43. CHAPTER FORTY-ONE
  44. CHAPTER FORTY-TWO
  45. CHAPTER FORTY-THREE
  46. CHAPTER FORTY-FOUR
  47. CHAPTER FORTY-FIVE
  48. CHAPTER FORTY-SIX
  49. CHAPTER FORTY-SEVEN
  50. CHAPTER FORTY-EIGHT
  51. CHAPTER FORTY-NINE
  52. Acknowledgments
  53. About the Author
  54. ALSO BY FAYE KELLERMAN
  55. Credits
  56. Copyright
  57. About the Publisher

WTF…just a few little bits won’t hurt. Just don’t overdo it, he told himself. Restraint…something he never lacked.

If anything, he needed to infuse his music with as much feeling as technical prowess. That’s what Lettech used to tell him.

An ear worm was coursing through his brain, a song they’d heard on the radio. “Crossfire”—a blues song made immortal by Stevie Ray Vaughan. He liked Stevie Ray. Not only was he a great guitarist technically, he was incredibly tasteful and could milk a note like no man. He loved the way Vaughan used his guitar as a response to his singing, as if he were having a conversation with the instrument.

He had jacked up the amp. The instrument was a piece of crap, but the amp was decent quality and somewhat compensated for the tinny electronics of the guitar. As the song repeated in his head, he began to copy Stevie Ray note by note until he had the fills to the vocals down pat. Now it was just a matter of the solo. He was so absorbed in his music that he didn’t hear the door open. When he did look up, two guys in their twenties were staring at him. He didn’t know who the sandy-haired one was, but the dude with the black hair and blue eyes was the image of Rina.

Dude said, “Do I know you?”

Sandy Hair gave Dude a look. “I’m Sam, he’s Jake—”

“Yeah, we live here,” Jake said.

Sam said, “And you are…”

“Gabe Whitman.” He knew he was blushing. He stood up, turned off the amp, and put the instrument on the bed. “Sorry about messing with your stuff.”

Jake said, “Are you kidding? My guitar never sounded so good. Certainly not when I played it. You rock, kid.”

“Especially compared to us,” Sam added. “This family doesn’t have a musical bone in its body.”

Jake threw his duffel on his bed and opened the closet. “Clean and organized.” He looked at Gabe’s clothes and held up a pair of cargo pants. “Definitely not my size.”

The boy was still red. “I’ll move my stuff.”

“Nah, you don’t have to do that,” Jake said. “The question is, what’s your stuff doing here in the first place?”

“It’s a long story. The short version is your parents have been nice enough to let me stay here.”

“How long have you been here?” Jake asked.

“About five days.”

“And how long are you staying?”

“That remains to be seen.”

Sammy said, “We’re just in and out for the weekend. Just keep your stuff where it is and we’ll work around you.”

“Uh, last time I counted, there were only two beds,” Jake said.

“I can sleep on the couch,” Gabe told him.

“Yonkel, you know that there’s a trundle,” Sam said. “We can squeeze in for a couple of days.”