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Chapters (57)
  1. Cover
  2. Dedication
  3. CHAPTER ONE
  4. CHAPTER TWO
  5. CHAPTER THREE
  6. CHAPTER FOUR
  7. CHAPTER FIVE
  8. CHAPTER SIX
  9. CHAPTER SEVEN
  10. CHAPTER EIGHT
  11. CHAPTER NINE
  12. CHAPTER TEN
  13. CHAPTER ELEVEN
  14. CHAPTER TWELVE
  15. CHAPTER THIRTEEN
  16. CHAPTER FOURTEEN
  17. CHAPTER FIFTEEN
  18. CHAPTER SIXTEEN
  19. CHAPTER SEVENTEEN
  20. CHAPTER EIGHTEEN
  21. CHAPTER NINETEEN
  22. CHAPTER TWENTY
  23. CHAPTER TWENTY-ONE
  24. CHAPTER TWENTY-TWO
  25. CHAPTER TWENTY-THREE
  26. CHAPTER TWENTY-FOUR
  27. CHAPTER TWENTY-FIVE
  28. CHAPTER TWENTY-SIX
  29. CHAPTER TWENTY-SEVEN
  30. CHAPTER TWENTY-EIGHT
  31. CHAPTER TWENTY-NINE
  32. CHAPTER THIRTY
  33. CHAPTER THIRTY-ONE
  34. CHAPTER THIRTY-TWO
  35. CHAPTER THIRTY-THREE
  36. CHAPTER THIRTY-FOUR
  37. CHAPTER THIRTY-FIVE
  38. CHAPTER THIRTY-SIX
  39. CHAPTER THIRTY-SEVEN
  40. CHAPTER THIRTY-EIGHT
  41. CHAPTER THIRTY-NINE
  42. CHAPTER FORTY
  43. CHAPTER FORTY-ONE
  44. CHAPTER FORTY-TWO
  45. CHAPTER FORTY-THREE
  46. CHAPTER FORTY-FOUR
  47. CHAPTER FORTY-FIVE
  48. CHAPTER FORTY-SIX
  49. CHAPTER FORTY-SEVEN
  50. CHAPTER FORTY-EIGHT
  51. CHAPTER FORTY-NINE
  52. Acknowledgments
  53. About the Author
  54. ALSO BY FAYE KELLERMAN
  55. Credits
  56. Copyright
  57. About the Publisher

“What?” he yelled from the other room.

“You need to come here now,” Marge said. “We’ve found her dark side.”

He came bolting in as Marge spread the photographs on top of the bed. In several snapshots, Mandy was on all fours, garbed in black fishnets, garter belt, and a leather bustier. A spiked dog collar was pulled against her neck by a taut leash. The man who was restraining her was masked and shirtless, with ripped muscles and a six-pack. Even though his facial features were obscured, he had plenty of identifying tattoos. Didn’t look like Aaron Otis’s ink work, but she’d definitely have a look at the young man’s arms again.

Both she and Oliver had seen lots of pictures of this sort of thing. Mostly the photos looked like silly sex games. Not this time. The pose was menacing enough, but there was something about Mandy’s expression that told her it wasn’t a joke. The cat-o’-nine-tails that the man was gripping in his right hand sealed the deal.

“Quick question,” Marge said.

“Tell me.”

“The pictures look pretty well focused, no?” Marge said.

“Yeah, you can make out detail. Why?”

“They don’t look like they were shot with a timed camera on a tripod. So my question is—who took the pictures?”

A KNOCK ON the interview-room door, then Wanda Bontemps came inside. “Sergeant Dunn on line three. She says it’s important.”

Decker nodded and stood up. “Excuse me for a moment, Aaron. Would you like something to drink? Some coffee or soda?”

“Water would be great.”

“I’ll get it for him,” Wanda volunteered.

Decker closed the door behind him and took the call in his office. “What’s up?”

“Did Aaron Otis ever come in?”

“I was just finishing up with him. What’s up?”

“Can you take some snapshots of his arms?” Marge explained why. “I don’t think it’s him, but I’d like to make sure.”

“I can hold him here for another twenty minutes or so. If you bring in the photographs, maybe he can identify the tattoos.”

“Maybe. Or maybe he was there, Rabbi. The photographs looked staged and that means someone snapped the poses. If Garth and Aaron were swapping girls, why not Mandy?”

“Good point. Aaron just confessed to me that Garth likes to do it from the back because he likes to be in control.”

Marge squatted down and slid the bottom drawer back into the shelf. “I would say with a hundred percent certainty that the guy in the photograph likes to be in control.”

“Get here as soon as you can with those pictures.”

“And what’s our justification for taking personal stuff from Mandy’s apartment?”

“We have two brutal homicides and we can’t find Mandy Kowalski anywhere. Then we see these pictures, so now we’re really worried about Mandy’s safety. It’s imminent danger. And that’s no lie.”