Back H Is for Homicide
Chapters (25)
  1. "H" is for HOMICIDE
  2. Chapter 1
  3. Chapter 2
  4. Chapter 3
  5. Chapter 4
  6. Chapter 5
  7. Chapter 6
  8. Chapter 7
  9. Chapter 8
  10. Chapter 9
  11. Chapter 10
  12. Chapter 11
  13. Chapter 12
  14. Chapter 13
  15. Chapter 14
  16. Chapter 15
  17. Chapter 16
  18. Chapter 17
  19. Chapter 18
  20. Chapter 19
  21. Chapter 20
  22. Chapter 21
  23. Chapter 22
  24. Chapter 23
  25. Epilogue

Our destination was a beach town a few miles south of the airport in an area tainted with poverty. To the east, the ghetto communities of Compton, South Gate, and Lynwood were rigidly subdivided into gang turfs where some fifteen to twenty homicides marred the average weekend. Here, there were only endless drab buildings decorated with angular territorial declarations thrown up by the taggers with cans of black spray paint. Wait until future cryptographers resurrect those stone tablets. Even the passing city buses were defaced, mobile messengers bearing insults from one gang to the next. The streets were littered with trash and old tires. The winos had already plucked up all the bottles and cans, anything that could be recycled in exchange for Thunderbird revenues. A dilapidated sofa sat on the curb as if waiting for a bus. Listless ghetto warriors loitered near a corner market. On the island side of the four-lane boulevard, every third storefront had been boarded up. Those still doing business were protected by steel bars across plate-glass windows papered over with advertisements.

I saw a Burger King, a Savon drugstore, a corner record shop with a big sign reading CLOSED, a post office branch with a U.S. flag drooping from its pole. On the ocean side of the street, there was a tired mix of small frame houses and boxy apartment buildings. All the yards seemed to be raw dirt surrounded by chain-link fences. The poor sections of every city I've seen have the following elements in common: sagging porches, flaking paint, grass that's tenacious if it grows at all, vacant lots filled with rubble, Pepsi-Cola signs, idle children, cars with flat tires permanently parked at the curb, abandoned houses, lethargic men whose eyes turn vacuously as you pass. Violence is a form of theater that only the disenfranchised can afford. Admission is cheap. The bill of fare is an ever-changing drama of life and death, drugs and stickups, drive-bys, retaliations, the fearfulness of mothers who look on in anguish from the sidelines. As often as not, it's the bystanders who fall prey to the spray of random bullets.

We cut inland, driving past six square blocks of housing projects. I could feel anxiety stir like a boiling sickness.

By the time we reached Raymond's place, I had no idea what part of Los Angeles we were in. We parked the Ford out in front of a three-story apartment building, across the street from an automobile salvage yard. There were probably forty units in the apartment complex, arranged in tiers around a concrete courtyard. At first glance, it didn't seem all that shabby to me. The neighborhood itself wasn't nearly as impoverished as some we'd traversed.