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The sunset is red and yellow, like the balloon. On the horizon the mild sphere goes warping down, a peach on a china plate. “The farther south you go,” Schnorp continues, “the faster the shadow sweeps, till you reach the equator: a thousand miles an hour. Fantastic. It breaks through the speed of sound somewhere over southern France—around the latitude of Carcassonne.”
The wind is bundling them on, north by east. “Southern France,” Slothrop remembers then. “Yeah. That’s where I broke through the speed of sound… .”
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The Zone is in full summer: souls are found quiescent behind the pieces of wall, fast asleep down curled in shell-craters, out screwing under the culverts with gray shirttails hoisted, adrift dreaming in the middles of fields. Dreaming of food, oblivion, alternate histories… .
The silences here are retreats of sound, like the retreat of the surf before a tidal wave: sound draining away, down slopes of acoustic passage, to gather, someplace else, to a great surge of noise. Cows—big lummoxes splotched black and white, harnessed now for the plowing because German horses in the Zone are all but extinct—will drudge with straight faces right on into minefields, sown back in the winter. The godawful blasts go drumming over the farmland, horns, hide and hamburger come showering down all over the place, and the dented bells lie quiet in the clover. Horses might have known to keep clear—but the Germans wasted their horses, squandered the race, herding them into the worst of it, the swarms of steel, the rheumatic marshes, the unblanketed winter chills of our late Fronts. A few might have found safety with the Russians, who still care for horses. You hear them often in the evenings. Their campfires send up rays for miles from behind the stands of beech, through northern-summer haze that’s almost dry, only enough of it to give a knife’s edge to the firelight, a dozen accordions and concertinas all going at once in shaggy chords with a reed-ringing to it, and the songs full of plaintive stvyehs and znyis with voices of the girl auxiliaries clearest of all. The horses whicker and move in the rustling grass. The men and women are kind, resourceful, fanatical—they are the most joyous of the Zone’s survivors.
In and out of all the vibrant flesh moves the mad scavenger Tchitcherine, who is more metal than anything else. Steel teeth wink as he talks. Under his pompadour is a silver plate. Gold wirework threads in three-dimensional tattoo among the fine wreckage of cartilage and bone inside his right knee joint, the shape of it always felt, pain’s hand-fashioned seal, and his proudest battle decoration, because it is invisible, and only he can feel it. A four-hour operation, and in the dark. It was the Eastern Front: there were no sulfa drugs, no anaesthesia. Of course he’s proud.