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Contents ( 6)
  1. Gravity’s Rainbow
  2. 1 Beyond the Zero
  3. 2 Un Perm’ au Casino Hermann Goering
  4. 3 In the Zone
  5. 4 The Counterforce

But it is a curve each of them feels, unmistakably. It is the parabola. They must have guessed, once or twice—guessed and refused to believe—that everything, always, collectively, had been moving toward that purified shape latent in the sky, that shape of no surprise, no second chances, no return. Yet they do move forever under it, reserved for its own black-and-white bad news certainly as if it were the Rainbow, and they its children… .

As the War’s front moves away from them, and the Casino becomes more and more a rear area, as the water grows more polluted and the prices rise, so the personnel coming down on leave get noisier and more dedicated to pure assholery—none of Tantivy’s style about them, his habit of soft-shoe dancing when drunk, his make-believe foppishness and shy, decent impulses to conspire, however marginally, whenever possible, against power and indifference… . There hasn’t been a word about him. Slothrop misses him, not just as an ally, but as a presence, a kindness. He continues to believe, here on his French leave, and at his ease, that the interference is temporary and paper, a matter of messages routed and orders cut, an annoyance that will end when the War ends, so well have They busted the sod prairies of his brain, tilled and sown there, and subsidized him not to grow anything of his own… .

No letters from London, not even news of ACHTUNG. All gone. Teddy Bloat one day just vanished: other conspirators, like a chorus line, will show up off and on behind Katje and Sir Stephen, dancing in, all with identical Corporate Smiles, the multiplication of whose glittering choppers is to dazzle him, they think, distract him from what they’re taking away, his ID, his service dossier, his past. Well, fuck… you know. He lets it happen. He’s more interested, and sometimes a little anxious, about what they seem to be adding on. At some point, apparently on a whim, though how can a fellow be sure, Slothrop decides to raise a mustache. Last mustache he had was at age 13, he sent away to that Johnson Smith for a whole Mustache Kit, 20 different shapes from Fu Manchu to Groucho Marx. They were made of black cardboard, with hooks that fit into your nose. After a while snot would soak into these hooks, and they’d grow limp, and the mustache would fall off.

“What kind?” Katje wants to know, soon as this one is visible.

“Bad-guy,” sez Slothrop. Meaning, he explains, trimmed, narrow, and villainous.

“No, that’ll give you a negative attitude. Why not raise a good-guy mustache instead?”

“But good guys don’t have—”

“Oh no? What about Wyatt Earp?”

To which one might’ve advanced the objection that Wyatt wasn’t all that good. But this is still back in the Stuart Lake era here, before the revisionists moved in, and Slothrop believes in that Wyatt, all right. One day a General Wivern, of SHAEF Technical Staff, comes in and sees it. “The ends droop down,” he observes.