Back Gone Save as PDF
Chapters (48)
  1. CHAPTER 1
  2. CHAPTER 2
  3. CHAPTER 3
  4. CHAPTER 4
  5. CHAPTER 5
  6. CHAPTER 6
  7. CHAPTER 7
  8. CHAPTER 8
  9. CHAPTER 9
  10. CHAPTER 10
  11. CHAPTER 11
  12. CHAPTER 12
  13. CHAPTER 13
  14. CHAPTER 14
  15. CHAPTER 15
  16. CHAPTER 16
  17. CHAPTER 17
  18. CHAPTER 18
  19. CHAPTER 19
  20. CHAPTER 20
  21. CHAPTER 21
  22. CHAPTER 22
  23. CHAPTER 23
  24. CHAPTER 24
  25. CHAPTER 25
  26. CHAPTER 26
  27. CHAPTER 27
  28. CHAPTER 28
  29. CHAPTER 29
  30. CHAPTER 30
  31. CHAPTER 31
  32. CHAPTER 32
  33. CHAPTER 33
  34. CHAPTER 34
  35. CHAPTER 35
  36. CHAPTER 36
  37. CHAPTER 37
  38. CHAPTER 38
  39. CHAPTER 39
  40. CHAPTER 40
  41. CHAPTER 41
  42. CHAPTER 42
  43. CHAPTER 43
  44. CHAPTER 44
  45. CHAPTER 45
  46. CHAPTER 46
  47. CHAPTER 47
  48. CHAPTER 48

“What about Meserve?” said Milo. “He didn’t fail you?”

“No one failed me. Michaela failed herself. Yes, Dylan should have known better but he got swept along. And he comes from a different place.”

“How so?”

“The gifted are allowed more leeway.”

“Was the hoax his idea or Michaela’s?”

Five more steps. “No sense speaking ill of the dead.” A beat. “Poor thing.” Dowd’s mouth turned down. If she was trying to project empathy, her chops were rusty.

Milo said, “How long did Michaela take classes with you?”

“I don’t give classes.”

“What are they?”

“They’re performance experiences.”

“How long was Michaela involved in the experiences?”

“I’m not sure— maybe a year, give or take.”

“Any way to fix that more precisely?”

“Pree-cise-lee. Hmm...no, I don’t think so.”

“Could you check your records?”

“I don’t do records.”

“Not at all?”

“Nothing ’tall,” Dowd sang. She rotated her arms, breathed in deeply, said, “Ahh. I like the air today.”

“How do you run a business without records, ma’am?”

Nora Dowd smiled. “It’s not a business. I don’t take money.”

“You teach— present experiences for free?”

“I avail myself, provide a time and place and a selectively judgmental atmosphere for those with courage.”

“What kind of courage?”

“The kind that enables one to accept selective judgment. The balls to dig deep inside here.” She cupped her left breast with her right hand. “It’s all about self-revelation.”

“Acting.”

“Performing. Acting is an artificial word. As if life is here”— cocking her head to the left— “and performance is out here, on another galaxy. Everything’s part of the same gestalt. That’s a German word for the whole being bigger than the sum of the parts. I’m blessed.”

Milo said, “With teaching— availing talent?”

“With an uncluttered consciousness and freedom from worry.”

“Freedom from record-keeping’s pretty good, too.”

Dowd smiled. “That, as well.”

“Does not charging mean freedom from financial worry?”

“Money’s an attitude,” said Nora Dowd brightly.

Milo pulled out the photo of Tori Giacomo and held it in front of her face. Her pace didn’t falter and he had to speed up to keep it in her line of vision.

“Not bad looking in a Saturday Night Fever kind of way.” Dowd fended off the photo and Milo dropped his arm.

“You don’t know her?”

“I really can’t say. Why?”

“Her name is Tori Giacomo. She came to L.A. to be an actress, took lessons, disappeared.”

Nora Dowd said, “Disappeared? As in poof?”

“Did she ever avail herself at the PlayHouse?”

“Tori Giacomo...the name doesn’t ring a bell but I can’t give you a yes or no because we don’t take attendance.”

“You don’t recognize her but you can’t say no?”