Back Golden Age Detective Stories
Chapters (22)
  1. Cover
  2. Title
  3. GOLDEN AGEDETECTIVE STORIES
  4. INTRODUCTION
  5. THE ENEMY
  6. THE STRIPPER
  7. POSTICHE
  8. THE CASE OF THE CRIMSON KISS
  9. THE ENCHANTED GARDEN
  10. 5-4=MURDERER
  11. THERE’S DEATH FOR REMEMBRANCE
  12. THE MONKEY MURDER
  13. THE ADVENTURE OF THE AFRICAN TRAVELER
  14. PUZZLE FOR POPPY
  15. FROM ANOTHER WORLD
  16. GOOD-BYE, GOOD-BYE!
  17. LOCKED DOORS
  18. THE MYSTERY IN ROOM 913
  19. DISCUSSION QUESTIONS
  20. American Mystery Classics
  21. AMERICAN MYSTERY CLASSICS
  22. About the Editor

He sat there staring at the other two and at the policeman watching them. The body was no longer in the next room, but the blood was. He had never before revisited the scene of the crime; that notion was the nonsense of legend. For that matter he had never known his victim.

He let his mind go back to last night. Only recently had he been willing to do this. At first it was something that must be kept apart, divided from his normal personality. But he was intelligent enough to realize the danger of that. It could produce a seriously schizoid personality. He might go mad. Better to attain complete integration, and that could be accomplished only by frank self-recognition.

It must be terrible to be mad.

“Well, where to first?” asked Marshall.

“I want to see the bedrooms,” said Sister Ursula. “I want to see if Mrs. Carey changed the sheets.”

“You doubt her story? But she’s completely out of the—All right. Come on.”

Lieutenant Marshall identified each room for her as they entered it. Harvey Flecker’s bedroom by no means consorted with the neatness of his mind. It was a welter of papers and notes and hefty German works on Latin philology and puzzle books by Torquemada and Caliban and early missals and codices from the University library. The bed had been changed and the clean upper sheet was turned back. Harvey Flecker would never soil it.

Professor de’Cassis’s room was in sharp contrast—a chaste monastic cubicle. His books—chiefly professional works, with a sampling of Leopardi and Carducci and other Italian poets and an Italian translation of Thomas à Kempis—were neatly stacked in a case, and his papers were out of sight. The only ornaments in the room were a crucifix and a framed picture of a family group, in clothes of 1920.

Hugo Ellis’s room was defiantly, almost parodistically the room of a normal, healthy college man, even to the University banner over the bed. He had carefully avoided both Flecker’s chaos and de’Cassis’s austerity; there was a precisely calculated normal litter of pipes and letters and pulp magazines. The pin-up girls seemed to be carrying normality too far, and Sister Ursula averted her eyes.

Each room had a clean upper sheet.

Professor Lowe’s room would have seemed as normal as Ellis’s, if less spectacularly so, if it were not for the inordinate quantity of books. Shelves covered all wall space that was not taken by door, window, or bed. Psychology, psychiatry, and criminology predominated; but there was a selection of poetry, humor, fiction for any mood.