Chapters (39)
- Dedication
- Act I
- Act I, Scene I
- Act I, Scene II
- Act I, Scene III
- Act I, Scene IV
- Act I, Scene V
- Act I, Scene VI
- Act I, Scene VII
- Act I, Scene VIII
- Act II
- Act II, Scene I
- Act II, Scene II
- Act II, Scene III
- Act II, Scene IV
- Act II, Scene V
- Act II, Scene VI
- Act II, Scene VII
- Act II, Scene VIII
- Act II, Scene IX
- Act III
- Act III, Scene I
- Act III, Scene II
- Act III, Scene III
- Act III, Scene IV
- Act III, Scene V
- Act III, Scene VI
- Act III, Scene VII
- Act III, Scene VIII
- Act III, Scene IX
- Act III, Scene X
- Acknowledgments
- ‘Ghoulish Song‘ Excerpt
- First Verse
- Second Verse
- ‘Ambassador‘ Excerpt
- Chapter 1
- Chapter 2
- Copyright
“Yes, indeed,” said Thomas. “A fine fellow, and a respectful student, though he also had a sense of mischief appropriate to our profession.”
Rownie had as much trouble swallowing this as he had just had swallowing tea. He knew that his brother’s life and world were larger than Graba’s shack, but he didn’t enjoy the thought that he knew so very little about it, or that these goblins might know Rowan better than he did.
“I don’t think I should help anybody find him if he doesn’t want to be found,” Rownie said. “Thanks for the supper. Thanks for hiding me away from the Captain. But . . .” There was no polite way to ask this, so he did not ask politely. “Why should I trust you?”
Semele smiled. Nonny, of course, said nothing.
“Because we’re nice?” Essa suggested.
Patch shrugged and looked dour. “Probably shouldn’t,” he said.
Thomas let out a sigh. It made his beard flare out in all directions. He stopped strumming the bandore and set it aside. “Because I swear to you, by the stage itself, by every tale and character I have ever breathed life into while treading the boards, by every single mask I have ever worn and offered the use of my voice, that we will not harm your brother, and that by finding him we can prevent harm from coming down upon a great many other people—ourselves included. I swear it by blood and by flood and by fire, and I swear it by the stage.”
“Wow,” said Essa.
Rownie was also impressed, but he still wasn’t convinced. “Actors are liars,” he said. “You pretend. It’s kind of your job.”
“No,” said Semele. “We are always using masks and a lack of facts to find the truth and nudge it into becoming more true.” She picked up a pebble from the ground, wiped it off with her sleeve, and held it out to Rownie. “Here. This is more properly a way to say hello to the dead, who are stone silent themselves and therefore accustomed to a pebblish way of speaking. I do not think that Rowan is dead, but he is lost and therefore silent, and I know that this was his way of saying hello to your mother. So I will use it to say hello to you, yes—from him, and also from me.”
Rownie took the offered pebble. It was greenish gray and egg-shaped. “Hello,” he said.
“Welcome to our troupe,” said Semele. “You may stay and perform with us. We will teach you the language of masks—though we must go about that carefully, yes, since maskcraft is more likely to bring about arrest and imprisonment than it once was. We must also go carefully because your former household will be hunting for you. You are still welcome. In exchange, please be helping us to find your brother before the floods come.”