Rachel had combed and tied her hair carefully back, then painted only the upper part of her face, from her hairline to just below the eyes, a solid white, and below that—after some thought—a narrow band of blue that crossed the bridge of her nose. Ian had told her some months ago—and Catherine Brant, though somewhat amused at her intent, had confirmed it—that to paint your face white in that manner meant that you came in peace, and that blue was for wisdom and confidence.

Rachel had wanted to ask Catherine whether she thought this course a wise one, but didn’t. She knew quite well it wasn’t, but the blue band was meant as an exhortation to those who saw it, as well as she who wore it.

“It is done?” Rachel asked; she’d asked before, and asked now only to hear reassurance. “Women do paint their faces, as well as men?”

“Oh, yes,” Catherine assured her. “Not war paint, of course, but to celebrate an occasion—a marriage, the visit of a chief, the Strawberry Festival …”

“An occasion,” Rachel said, with certainty. “Yes, it is.”

“Remarkable,” Catherine said happily, gazing over Rachel’s shoulder at her completed reflection in the mirror. “With those dark brows and lashes, your eyes are … startling. In a good way, to be sure,” she added hastily, patting Rachel’s shoulder.

WAKYO’TEYEHSNONHSA HAD A modest but good farmhouse on her land—and, like Thayendanegea, had a longhouse behind it, standing at the edge of the forest, so the wood and the hides and the leather thongs that bound it together seemed to melt into the trees.

Like a large animal lying in wait, Rachel thought.

She had met them in the yard before the farmhouse, invited them in, and offered them milk and whisky, with little sweet biscuits. Admired Oggy with what seemed great sincerity, and though she had blinked at sight of Rachel’s paint, treated her with a delicate respect, though never quite meeting her eyes.

She was lovely. Dressed in the Mohawk fashion of shirt and trousers of soft deerskin, decorated with a dozen small silver rings, small and still lithe, despite having birthed three living children and Yeksa’a, Ian’s stillborn daughter. Rachel thought they were much of an age, though Works With Her Hands bore the marks of weather and of sorrow in her face. Her eyes were still warm, though, and lively, and she met Ian’s glance often and fully.

The children had come in briefly, brought by an older woman who smiled at Ian. The two youngest, girls of maybe four and two, were lovely, with their mother’s soft dark eyes and solid, handsome faces that perhaps resembled their late father’s. Rachel refrained from looking too closely at the eldest boy—perhaps seven or eight—and successfully fought the temptation to look from the boy’s face to Ian’s.