“Two years, maybe?” Roger hazarded a guess. “Her sister was seventeen or so when she died, and Fanny says this was done when she was ten, so Jane would have been maybe fifteen. Can you copy it, do ye think?”

“Yes, and I will. But Fanny will want the original, too. For emotional reasons.”

Roger nodded. “Aye. What can you do about it, then?”

“Oh, just mend the tear.”

“Ye really are going to sew it together? I thought of that, but—”

“Well, that’s actually not a bad idea,” she said, looking as though she wanted to laugh but refraining from doing it out of politeness. “But I’m pretty sure Fanny wouldn’t want her poor sister to look like Frankenstein’s monster, even if she doesn’t know what that is.”

“What is that?” Fanny hovered in the doorway, looking uneasy. She’d been stripped, dried, and dressed in a fresh shift and stockings and, with her flushed cheeks and wavy, drying dark hair, looked like a small, disheveled angel recently rescued from badgers.

“It’s just a novel,” Bree said, and smiled. “I’ll tell you the story later, if you want. Here, come and look.”

Fanny came to the table, her head turned half away, not really wanting to see the ruined drawing. Then she saw the paper screen that Bree had fetched from the pantry—a rectangular wooden frame, with a very fine screen made of muslin from which threads had been pulled to create a grid, this tacked to the sides of the frame—and curiosity overcame her reluctance.

“It’s a clean tear—that’s lucky.” Brianna touched the torn edge of one half with a gentle finger. “See how it’s frayed along the edge? Paper is made of fibers, and if you were to soak a sheet of paper in water for a long time, do you know what you’d get?”

“A handful of soggy fibers?” Roger guessed.

“Pretty much. So—” She’d brought in a box of her paper-making supplies and now took from this a large cloth bag, bulging with …

“Is that cotton?” Fanny asked, fascinated by the fuzzy white blobs that poked out of the small heap of fabric scraps and something that looked—to Roger’s jaundiced eye—like handfuls of scraggy blond hair pulled out of someone’s head.

“Some of it. And flax that’s been hatcheled. And some paper scraps and bits of decayed rag. So we start with a handful of fibers, finely ground.” She laid her paper-making screen on the table, took up a small corked bottle, and carefully spread a line of what looked like carpet sweepings across the middle of the screen. “That’s going to be my patch. Now we lay the pieces down on top of that …”

One by one, Roger handed her the halves of the drawing and she carefully fitted the torn edges as closely together as she could manage.