Back Glamour in Glass
Chapters (30)
  1. Cover
  2. Glamour in
  3. ONE
  4. TWO
  5. THREE
  6. FOUR
  7. FIVE
  8. SIX
  9. SEVEN
  10. EIGHT
  11. NINE
  12. TEN
  13. ELEVEN
  14. TWELVE
  15. THIRTEEN
  16. FOURTEEN
  17. FIFTEEN
  18. SIXTEEN
  19. SEVENTEEN
  20. EIGHTEEN
  21. NINETEEN
  22. TWENTY
  23. TWENTY-ONE
  24. TWENTY-TWO
  25. TWENTY-THREE
  26. TWENTY-FOUR
  27. TWENTY-FIVE
  28. Author’s Afterword
  29. Glamour Glossary
  30. Reading Group Guide

‘No? How did he do it then?’ Jane’s interest in her question faltered almost at once as she finally traced the thread of glamour to its source. The fish’s trailing line was wrapped around the support for the coral reef comprising the wall opposite her. She had thought herself exceedingly clever for finding a way to contain it thus without having to loop the thread into the earth for stability, but the trouble she now faced was that if the knot came undone all at once, it might snag and cause an unravelling in the wall as well.

Prinny chuckled again. ‘Your husband created it from the base of the tower.’

Jane choked on her turbot at this and had to hold her serviette to her lips to stifle her coughing. The Prince patted her on the back, and passed her a glass of water.

‘Thank you.’ She cleared her throat, conscious of once again attracting more attention from the table than she might have wished.

At the foot of the table, Vincent studied her, his brows raised in concern. She gave him the smallest shake of her head to let him know that she did not require his aid, though she desperately wished that she were seated near him. One of the distinct disadvantages of being married was that one never sat with one’s spouse when dining in company.

Giving the Prince Regent her attention, Jane kept her composure smooth. ‘Though I above all should be partial to my husband’s talents, still I find my credulity stretched by this.’

Even with her deep admiration for her husband’s skills, Jane could scarcely imagine the sheer strength it would take to work glamour from such a distance. As with a small stone, in the hand it might seem to weigh nothing, but if one held it at the end of a pole, it became increasingly difficult to manage. Though glamour borrowed the language of textiles to describe it, there were ways in which the manipulation of glamour also resembled water. One might direct a jet across a fountain, but it always wanted to return to the ground, widening into a mist as it curved downward. So too, with glamour: a glamourist could hold a strand of light pulled from the ether and direct it across a room, only to see it bend and lose its resolution. A skilled glamourist learned to adjust the ways in which the strand left his hands to compensate for its propensity to return to the ether, but it took much greater effort than producing a glamour at close range. To create a glamour from the base of a clock tower would have required great strength and steadiness of hand.