Back Get in Trouble
Chapters (17)
  1. Cover
  2. Title Page
  3. Copyright
  4. Epigraph
  5. The Summer People
  6. I Can See Right Through You
  7. Secret Identity
  8. Valley of the Girls
  9. Origin Story
  10. The Lesson
  11. The New Boyfriend
  12. Two Houses
  13. Light
  14. Dedication
  15. Acknowledgments
  16. Other Books by This Author
  17. ABOUT THE AUTHOR

He needs air. He drops the phone on the floor again where Pilar will find it in the morning. Decides to walk down to the lake. He will have to go past Meggie’s trailer on the way, only he doesn’t. Instead he stands there watching as a shadow slips out of the door of the trailer and down the stairs and away. Going where? Almost not there at all.

Ray?

He could follow. But he doesn’t.

He wonders if Meggie is awake. The door to her trailer is off the latch and so the demon lover steps inside.

Makes his way to her bedroom, no lights, she is not awake. He will do no harm. Only wants to see her safe and sleeping. An old friend can go to see an old friend.

Meggie’s a shape in the bed and he comes closer so he can see her face. There is someone in the bed with Meggie.

Ray looks at the demon lover and the demon lover looks back at Ray. Ray’s right hand rests on Meggie’s breast. Ray raises the other hand, beckons the demon lover closer.

The next morning is what you would predict. The crew of Who’s There? packs up to leave; Pilar discovers the text messages on her phone.

Did I do that? the demon lover says. I was drunk. I may have done that. Oh God, oh hell, oh fuck. He plays his part.

This may get messy. Oh, he knows how messy it can get. Pilar can make some real money with those texts. Fawn, if she wants, can use them against him in the divorce.

He doesn’t know how he gets in these situations.

Fawn has called Meggie. So there’s that, as well. Meggie waits to talk to him until almost everyone else has packed up and gone; it’s early afternoon now. Really, he should already have left. He has things he’ll need to do. Decisions to make about flights, a new phone. He needs to call his publicist, his agent. Time for them to earn their keep. He likes to keep them busy.

Ray is off somewhere. The demon lover isn’t too sorry about this.

It’s not a fun conversation. They’re up in the parking lot now, and one of the crew, he doesn’t recognize her with her clothes on, says to Meggie, “Need a lift?”

“I’ve got the thing in Tallahassee tomorrow, the morning show,” Meggie says. “Got someone picking me up any minute now.”

“ ’Kay,” the woman says. “See you in San Jose.” She gives the demon lover a dubious look—is Pilar already talking?—and then gets in her car and drives away.

“San Jose?” the demon lover says.

“Yeah,” Meggie says. “The Winchester House.”

“Huh,” the demon lover says. He doesn’t really care. He’s tired of this whole thing, Meggie, the borrowed T-shirt and cargo shorts, Lake Apopka, no-show ghosts, and bad publicity.