Nancy clapped a hand over her mouth to stifle her laughter. Geri didn’t need to say which of us was the mouse and which was the cat. Nancy had a lovely, helpless laugh that went through her whole tiny frame, doubled her over, and turned her face pink.

“Come on,” Geri said. “Let’s find our spirit animals.” And she let go of my hand and took Nancy’s.

The Wurlitzer began to play, a theatrical, whimsical, but also curiously dirgelike melody. Wandering amid the steeds, I looked at the creatures of the Wheel with a mix of fascination and repulsion. It seemed to me a uniquely disquieting collection of grotesqueries. There was a wolf as big as a bicycle, its sculpted, glossy fur a tangled mess of blacks and grays and its eyes as yellow as my beer. One paw was lifted slightly, and its pad was crimson, as if he had trod in blood. A sea serpent uncoiled itself across the outer edge of the carousel, a scaly rope as thick as a tree trunk. It had a shaggy gold mane and a gaping red mouth lined with black fangs. When I leaned in close, I discovered they were real: a mismatched set of shark’s teeth, black with age. I walked through a team of white horses, frozen in the act of lunging, tendons straining in their necks, their mouths open as if to scream in anguish or rage. White horses with white eyes, like classical statuary.

“Where the hell you think they got these horses from? Satan’s Circus Supplies? Lookat,” Jake said, and he gestured at the mouth of one of the horses. It had the black, forked tongue of a snake, lolling out of its mouth.

“They come from Nacogdoches, Texas,” came a voice from down on the pier. “They’re over a century old. They were salvaged from Cooger’s Carousel of Ten Thousand Lights, after a fire burned Cooger’s Fun Park to the ground. You can see how that one there was scorched.”

The ride operator stood at a control board, to one side of the steps leading up to the merry-go-round. He wore a dress uniform, as if he were an ancient bellboy in some grand Eastern European hotel, a place where aristocrats went to summer with their families. His suit jacket was of green velvet, with two rows of brass buttons down the front and golden epaulets on his shoulders.

He put down a steel thermos and pointed at a horse whose face was blistered on one side, toasted a golden brown, like a marshmallow. The operator’s upper lip lifted in a curiously repulsive grin. He had red, plump, vaguely indecent lips, like a young Mick Jagger—unsettling in such an old, shriveled face. “They screamed.”

“Who?” I asked.

“The horses,” he said. “When the carousel began to burn. A dozen witnesses heard them. They screamed like girls.”