Back Forge of Darkness
Chapters (35)
  1. Cover
  2. Title Page
  3. Dedication
  4. Acknowledgements
  5. Maps
  6. Dramatis Personae
  7. The Tiste: Holds, Greater and Lesser Houses, Priesthood and Court
  8. Prelude
  9. Part One : In These Gifts the Shapes of Adoration
  10. Chapter One
  11. Chapter Two
  12. Chapter Three
  13. Chapter Four
  14. Chapter Five
  15. Part Two : The Solitude of This Fire
  16. Chapter Six
  17. Chapter Seven
  18. Chapter Eight
  19. Chapter Nine
  20. Chapter Ten
  21. Part Three : The Proofs of Your Ambition
  22. Chapter Eleven
  23. Chapter Twelve
  24. Chapter Thirteen
  25. Chapter Fourteen
  26. Chapter Fifteen
  27. Part Four : The Forge of Darkness
  28. Chapter Sixteen
  29. Chapter Seventeen
  30. Chapter Eighteen
  31. Chapter Nineteen
  32. Chapter Twenty
  33. About the Author
  34. Also by Steven Erikson
  35. Copyright

There were few memories of the journey down to Kharkanas. They had taken his knife, and since leaving him here, after a cadre of healers arrived to fret and sigh, his only visitors were servants coming with food and later departing with the servings barely touched. One, a young woman by her voice, had offered to bathe him, and he had laughed at that, too empty to regret the cruelty of the sound, and the fleeing pad of her feet to the door had simply made him laugh all the harder.

In a world without tears, an artist was left with nothing to do and no purpose to hold on to. Anguish was a satisfying torment to feed creative impulses, but he felt no anguish. Longing that spoke no known language offered up an endless palette, but he longed for nothing. Wonder made the brush tremble, but all wonder was dead within him. He had been betrayed by every talent sewn into his sinews, scratched into his bones, and now that he had severed the threads to vision, he shared this darkness with lifeless gods, and this room was indeed a tomb, as befitted its occupant.

He sat upon the cot, painting the air with one finger, brushing lines of black knotted with touches of grey to give shape to the creaking of the ropes under him. There was little talent in perfect rendition. Setting banal reality upon a board or canvas made sordid the modest virtue of craft; as if perfect brush-strokes and obsessive detail could exist as something beyond technical prowess, and could in fact announce profundity. He knew otherwise and it was this contempt that sat like swirling ripples marking the surface of his dissolution, turgid but hinting of life.

In the world he had left behind, an artist needed to tie contempt down and make the bindings tight, and take damp cloth to where it bled through. To let it loose was to attack both artist and audience, and he had neither the strength nor the will for such a thing: even the sentiment left him exhausted.

He had descended into madness, there in the chamber of the house his memory dared not revisit. He was not yet certain that it had departed. Blindness made a mystery of everything just out of reach. He had decided to wait, and upon the only canvas left to him paint sounds upon the ephemeral walls of this crypt: the creaks and faint echoes; the muted slap from people passing by the door, those footsteps so urgent and so pathetic; the dull repetition of his own breath and the sullen thump of his heart; the languid surge and ebb of the blood in his veins.

All in shades of black and grey, upon the insubstantial but exquisitely absolute walls of his blindness.