Urusander considered, and then said, ‘Only in the matter of mitigating damaging or antisocial behaviour, and at this point I return you to my first comment. That is, of moral stance. It is the very matter with which I am struggling, with little forward progress, I admit. So,’ he took another sip and then set the goblet down and picked up his knife, ‘let us set aside the notion of “peaceful” for the moment. Consider the very foundation of the matter, namely, that law exists to impose rules of acceptable behaviour in social discourse, yes? Good, then let us add the notion of protecting one from harm, both physical and spiritual, and, well, you see the dilemma.’

Kadaspala considered that for a moment, and then he shook his head. ‘Laws decide which forms of oppression are allowed, Lord. And because of that, those laws are servants to those in power, for whom oppression is given as a right over those who have little or no power. Now, shall we return to art, Lord? When stripped down to its bones, criticism is a form of oppression. Its intent is to manipulate both artist and audience, by imposing rules on aesthetic appreciation. Curiously, its first task is to belittle the views of those who appreciate a certain work but are unable or unwilling to articulate their reasons for doing so. On occasion, of course, one of those viewers rises to the bait, taking umbrage at being dismissed as being ignorant, at which point critics en masse descend to annihilate the fool. No more than defending one’s own precious nest, one presumes. But on another level, it is the act of those in power in protecting their interests, those interests being nothing less than absolute oppression through the control of personal taste.’

Urusander had sat motionless through this, knife point thrust through a sliver of meat and suspended halfway to his mouth. When Kadaspala finished, he set the knife down and reached once more for his wine. ‘But I am not a critic,’ he said.

‘Indeed not, Lord, which is why I said I wasn’t curious about your opinion. I am curious about the opinions of critics. But about the opinions of those with no agenda beyond the aesthetic, I am interested.’

Urusander snorted. ‘Take some wine, Kadaspala, you have just earned it.’

The mouthful he took was modest.

‘Other nights when we sit here,’ Urusander said, now frowning, ‘you will finish off an entire carafe on your own.’

‘Other nights, Lord, I am subjected to war stories.’

Urusander laughed, the sound startling the servants with its booming thunder. Somewhere in the kitchen something crashed down to the stone floor.

‘The wine,’ said Kadaspala, ‘is exceptional, Lord.’

‘It is, isn’t it? And do you know why I have not served it before this night?’

‘Every morning, Lord, I check my jugs of cleaning spirits, to ensure Hunn Raal has not plundered them.’