Kadaspala might well be the most sought-after painter of portraits in all Kurald Galain, famed for his brilliant talent and infamous for his impatience with subjects when composing, but even he was no match for the man seated in the high-backed blackwood chair, should Vatha Urusander’s frayed patience finally snap. The brocaded dress uniform was an invention, fit for official visits to the Citadel and other festive occasions, but in his day as commander of the legions, Urusander’s attire had been virtually indistinguishable from the commonest cohort soldier’s. The Kurald legions were now called Urusander’s Legion, and with good reason. Though born of a Lesser House, Urusander had risen quickly through the ranks in the harrowing first months of the Forulkan War, when the high command had been decimated first by treacherous acts of assassination, then by successive defeats on the field of battle.

Urusander had saved the Tiste people. Without him, Hunn Raal well knew, Kurald Galain would have fallen.

The career that followed, through the entire campaign to drive back the Forulkan, and then the punitive pursuit of the Jhelarkan deep into the lands of the northwest, had elevated Urusander to legendary status, justifying this belated scene here in the upper chamber of the keep’s newest tower, with the dust of the stone-cutters still riding the currents. The presence of Kadaspala of House Enes was in itself an impressive measure of Urusander’s vaunted status. This portrait would be copied upon the wall of the Inner Avenue in the Citadel in Kharkanas, in place alongside images of highborn Tiste, both those still living and those long dead.

But the man sitting stiffly inside that garish uniform, with all its martial decorations, was moments from shattering this perfect image of resolute dignity. Hunn Raal fought back a smile. Neither he nor Osserc could fail to see the signs, even as Kadaspala worked on, unmindful, lost in his own world of frenzied haste. Urusander had gone very still – and no doubt the artist saw this, if he gave any mind to it at all, as a triumph of his own will over his recalcitrant subject.

Hunn wondered if Osserc would speak, to stem the dyke before it burst – or would he recoil, as he had done for most of his sheltered life, only to then stumble over himself in an effort to soothe any and all who might take offence at his father’s tirade? Hunn was tempted to stand back and witness, but then, what good would be achieved? Even worse, Kadaspala might take such umbrage as to pack up his paints and brushes and march out, never to return.

There were reasons for Hunn Raal’s presence in this chamber. Had he not nearly died taking an assassin’s knife intended for Urusander? Well, he would step into the blade’s path yet again. Clearing his throat, he said, ‘Good artist, the day’s light is fading—’