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Contents (86)
  1. Contents
  2. Author’s Note
  3. Part One
  4. Chapter One
  5. Lainey
  6. Chapter Two
  7. Lainey
  8. Chapter Three
  9. Emmett
  10. Chapter Four
  11. Lainey
  12. Chapter Five
  13. Emmett
  14. Chapter Six
  15. Lainey
  16. Chapter Seven
  17. Emmett
  18. Part Two
  19. Chapter Eight
  20. Lainey
  21. Chapter Nine
  22. Emmett
  23. Chapter Ten
  24. Lainey
  25. Chapter Eleven
  26. Lainey
  27. Chapter Twelve
  28. Emmett
  29. Chapter Thirteen
  30. Emmett
  31. Chapter Fourteen
  32. Lainey
  33. Chapter Fifteen
  34. Lainey
  35. Chapter Sixteen
  36. Emmett
  37. Chapter Seventeen
  38. Lainey
  39. Chapter Eighteen
  40. Lainey
  41. Chapter Nineteen
  42. Emmett
  43. Chapter Twenty
  44. Lainey
  45. Chapter Twenty-One
  46. Emmett
  47. Chapter Twenty-Two
  48. Emmett
  49. Chapter Twenty-Three
  50. Lainey
  51. Chapter Twenty-Four
  52. Emmett
  53. Chapter Twenty-Five
  54. Lainey
  55. Chapter Twenty-Six
  56. Lainey
  57. Chapter Twenty-Seven
  58. Emmett
  59. Chapter Twenty-Eight
  60. Lainey
  61. Chapter Twenty-Nine
  62. Lainey
  63. Chapter Thirty
  64. Emmett
  65. Chapter Thirty-One
  66. Emmett
  67. Chapter Thirty-Two
  68. Lainey
  69. Chapter Thirty-Three
  70. Lainey
  71. Chapter Thirty-Four
  72. Emmett
  73. Chapter Thirty-Five
  74. Lainey
  75. Chapter Thirty-Six
  76. Lainey
  77. Chapter Thirty-Seven
  78. Emmett
  79. Chapter Thirty-Eight
  80. Lainey
  81. Epilogue
  82. Lainey
  83. Chapter One
  84. Chapter Two
  85. Chapter Three
  86. Thank you!

I nod. “As a Frenchman, I know the work well. He painted it in Paris during the German occupation. I’m sure you’ve heard the story of when the German soldiers first encountered the painting.”

Her green eyes spark as she shakes her head.

Ah, a chance to tip the scales a bit. I can’t resist.

I take a step toward her, keeping my voice low. “In 1940, the Germans occupying Paris decided to make an inventory of all bank vaults in the city, and Picasso was summoned to the Banque Nationale du Commerce et de l'Industrie where he had two vaults next to Henri Matisse’s.”

She nods as recollection dawns. “Yes, of course. He saved countless works from being destroyed during the occupation. Renoirs, Cézannes…”

I nod. Good girl.

“Picasso showed the soldiers the contents of his vault, and after he deceived them and said with confidence that the paintings housed within were worth next to nothing”—her lips curl into a smile at hearing the delicious lie—“the investigators decided to visit Picasso’s apartment, where they came across a photographic reproduction of Guernica. Legend says the soldiers inquired about the painting, asking Picasso, ‘Did you do this?’ to which he replied, ‘No, you did this.’”

Her eyes widen in understanding.

“Your story gave me chills,” she admits, looking down at her arms where the hair is standing on end.

I’ve had nearly the same reaction, though purely because of her.

“I’ll purchase the piece.”

Her lips part in shock.

“I…” She trails off and shakes her head, looking away. “You shouldn’t have let me go on like I did before. You clearly know what you’re doing when it comes to art.”

“I’m a novice, I assure you.”

Humility is not something I’m very familiar with. It feels foreign on my tongue.

“Consider the work sold,” I insist, more stern now than a moment ago. I don’t enjoy repeating myself. “Now show me another.”

Her gaze whips up to find mine.

“You can’t be serious,” she says, sounding nearly breathless.

“Why on earth would I be kidding?” My patience is suddenly growing thin. “Do you know who I am?”

At this, she laughs, a great wild sound that has my heart galloping in my chest.

With flushed cheeks, she advances on me until we’re nearly chest to chest. “I was about to ask you the same thing. Do you remember me? Surely you do.”

The question takes me aback. I frown, considering her, my gaze cutting swiftly down her figure as my brain works tirelessly to place her. Surely I would remember seeing this woman before with her dark hair and prominent cheekbones, her clean, smooth skin and full lips. There is something on the periphery of my mind, some nagging feeling that I’m missing something right in front of me.

“I admit you do feel familiar.”

“Feel,” she repeats, tilting her head curiously. “What an intimate word.”

I’m tempted to reach up and take hold of her slender neck, to tip her chin back so the light catches on her face, highlighting every detail until some memory shakes loose inside my mind. Annoyance bleeds into anger.