Back Flash and Bones
Chapters (37)
  1. Acknowledgments
  2. Chapter 1
  3. Chapter 2
  4. Chapter 3
  5. Chapter 4
  6. Chapter 5
  7. Chapter 6
  8. Chapter 7
  9. Chapter 8
  10. Chapter 9
  11. Chapter 10
  12. Chapter 11
  13. Chapter 12
  14. Chapter 13
  15. Chapter 14
  16. Chapter 15
  17. Chapter 16
  18. Chapter 17
  19. Chapter 18
  20. Chapter 19
  21. Chapter 20
  22. Chapter 21
  23. Chapter 22
  24. Chapter 23
  25. Chapter 24
  26. Chapter 25
  27. Chapter 26
  28. Chapter 27
  29. Chapter 28
  30. Chapter 29
  31. Chapter 30
  32. Chapter 31
  33. Chapter 32
  34. Chapter 33
  35. Chapter 34
  36. Chapter 35
  37. Chapter 36

Slidell watched a cyclist pedal past Myers Park Baptist across the way. He made no move to leave.

Dr. Hook started singing about Sylvia’s mother.

When Slidell spoke, his words surprised me.

“I took a fern by the hospital.”

“For Galimore?”

“No. For Dr Friggin’ Pepper.”

“That was a very nice gesture,”

I said. “I didn’t visit his bedside or nothing like that.”

“Still, it was a considerate thing to do.”

A beefy finger shot the air. “The fern business stays between you and me.”

I pantomimed a key on my lips.

“Don’t want people thinking I’m going all gooey.”

“Bad for the image.”

Slidell pulled an object from his pocket and tossed it to me.

“Galimore had that sent over to my office. Note said it was something you asked him for. Said he never had a chance to give it to you.”

The object in my lap was a NASCAR cap. On its bill was a signature scrawled in black Magic Marker. Jacques Villeneuve.

A grin tugged the corners of my mouth. Lieutenant-détective Andrew Ryan, quebec cop and Villeneuve groupie, would be thrilled.

“So.” Slidell straightened his phony cool-guy shades. “Erskine Slidell still your favorite badass?”

“Yes, Detective.” My grin widened. “You are still my favorite Charlotte badass.”

FROM THE FORENSIC FILES OF DR. KATHY REICHS

In this bonus Q & A, the scribe behind Tempe Brennan takes questions on NASCAR, extremist groups, Tempe’s love life, and the difference between writing a novel and penning a script for the TV show Bones on FOX.

1. Flash and Bones begins with the discovery of a body in a barrel of asphalt in a dump next to the Charlotte Motor Speedway, and characters from the racing world become implicated in the drama. What drew you to NASCAR as a backdrop? Are you yourself a racing fan?

Prior to writing Flash and Bones, I had only passing knowledge of auto racing, having attended one event way back in the gray dawn of history. But almost every Charlottean knows a player in the game—be it a team owner, a mechanic, a sponsor, or a driver. It’s hard not to get caught up in the excitement each May and October when hundreds of thousands converge on our burg for big races. Like Daytona or Darlington, Charlotte is an epicenter for the sport. And, as Tempe explains in the book, stock car racing originated with bootlegging in the Carolina mountains during Prohibition.

I ended up writing NASCAR into the novel because of my longtime friend Barry Byrd, himself a huge racing enthusiast. Each time I began a new Temperance Brennan novel Barry would suggest that NASCAR would provide a rich background for a story. I finally realized he was right. Barry offered to introduce me to Jimmy Johnson and his team, to take me to the track, to include me with the gang attending the All-Star Race and the Coca-Cola 600.