Contents ( 24)
- Five have a wonderful time
- Chapter One
- Chapter Two
- Chapter Three
- Chapter Four
- Chapter Five
- Chapter Six
- Chapter Seven
- Chapter Eight
- Chapter Nine
- Chapter Ten
- Chapter Eleven
- Chapter Twelve
- Chapter Thirteen
- Chapter Fourteen
- Chapter Fifteen
- Chapter Sixteen
- Chapter Seventeen
- Chapter Eighteen
- Chapter Nineteen
- Chapter Twenty
- Chapter Twenty-One
- Chapter Twenty-Two
- Chapter Twenty-Three
Her father’s leaving was hard for Enid to accept and she seems to have viewed it as a rejection of her personally. Years later, when she was married, she had difficulty conceiving a baby and was found to have an under-developed uterus, equivalent to that of a girl aged twelve or thirteen. It has been suggested that the trauma of her father’s departure may have had a long-term effect on her physical as well as her emotional development.
EARLY WRITING
Deprived of Thomas’s support and inspiration, Enid was now more than ever at the mercy of her mother, with whom she did not see eye to eye. To assuage her unhappiness she took to locking herself in her bedroom and writing compulsively, setting a pattern which was to be repeated in adulthood. She had a vivid imagination and had known for some time that she wanted to be a writer, and now she spent every spare minute honing her talent. Her mother despaired of her, dismissing her work as mere ‘scribbling’. Enid sent off numerous stories and poems to magazines in the hope that they would be published but, except for one poem which was printed by Arthur Mee in his magazine when she was fourteen, she had no luck at this stage, receiving hundreds of rejection slips. Her mother considered her efforts a ‘waste of time and money’ but Enid was encouraged by her schoolfriend Mary’s aunt, Mabel Attenborough, who had become a good friend and confidante.
MUSIC
Towards the end of 1916 Enid Blyton was due to begin studying at the Guildhall School of Music. She had a gift for music and her family had always assumed that she would become a professional musician like her father’s sister, May Crossland. Throughout her childhood Enid had spent many hours practising the piano but, as she grew older, she begrudged devoting hours to the piano when she would rather be writing. She was aware that her true talent lay in telling stories, but found it impossible to convince her family of that.
TEACHER-TRAINING
It was after a spell teaching Sunday School in the summer of 1916, while staying with friends of Mabel Attenborough at Seckford Hall near Woodbridge in Suffolk, that Enid suddenly knew what to do. She made up her mind to turn down her place at the Guildhall School of Music and train as a teacher instead. That would give her close contact with the children for whom she knew she wanted to write, and she would be able to study them and get to know their interests.
Enid lost no time in putting her plan into action and, in September 1916, she embarked upon a Froebel-based teacher-training course at Ipswich High School. Things had deteriorated badly between her and Theresa and it was around this time that Enid broke ties completely with her mother, spending holidays from college with the Attenboroughs rather than returning home to her mother and brothers. She kept in touch with her father, visiting him at his office in London, but she could not bring herself to accept Florence, with whom Thomas had had three more children, and she and her father were not as close as they had once been.