Buñuel’s engineering skills were without peer—not just from a simple mechanistic point of view but also from his somewhat surreal method of problem solving that made lesser book engineers pale into insignificance. It was he who first thought of using custard as a transfer medium for speedier throughput from the books to the Storycode Engines and he who pioneered the hydroponic growth of usable dramatic irony. When he wasn’t working toward the decriminalization of class-C grammatical abuses, such as starting a sentence with “and,” he was busy designing new and interesting plot devices. It was he who suggested the groundbreaking twist in The Murder of Roger Ackroyd, and also the “Gally Threepwood memoirs” device in the Blandings series. Naturally, he’d had other, lesser ideas that didn’t find favor, such as the discarded U-boat–Nautilus battle sequence in Mysterious Island, a new process for distilling quotation marks from boiled mice, a method of making books grammasite-proof by marinating them in dew, and a whole host of farcical new words that only he used. But his hits were greater than the sum of his misses, and such is the way with greatness.

“I hope we are not in any sort of troublesome with Jurisfiction?”

“Not at all,” I assured him. “You spoke to Bradshaw about something?”

“My memory is so stringbagness these days,” he said, slapping his forehead with his palm. “Walk with me.”

We left the work hut at a brisk pace and walked toward the empty book, Thursday5 a few steps behind.

“We’ve got another seventeen clockchimes before we have to click it all back onwise,” he said, mopping his brow.

“Will you manage it?”

“We should be dokey,” replied Isambard with a laugh. “Always supposeding that Mrs. Bennet doesn’t do anything sensible.”

We walked up a set of wooden stairs and stepped onto the novel. From our vantage point, we could see the empty husk of the book laid out in front of us. Everything had been removed, and it looked like an empty steel barge several hundred acres in size.

“What’s happening over there?” asked Thursday5, pointing to a group of men working in an area where several girders joined in a delicate latticework of steel and rivets.

“We’re checklooking for fatigue splitcracks near the irony-expansion slot,” explained Isambard. “The ceaseless flexiblations of a book as readers of varying skill make their way through it can set up a harmonic that exacts stresstications the book was never blueprinted to take. I expect you heard about the mid-read fractsplosion of Hard Times during the postmaintenance testification in 1932?”

Thursday5 nodded.

“We’ve had to be more uttercarefulness since then,” continued Isambard, “which is why classics like this come in for rebuildificance every thirty years whether they require it or not.”

There was a crackle of bright blue light as the work gang effected a repair, and a subengineer supervising the gang waved to Isambard, who waved back.