Even the biggest refit never took more than a week, and John Fowles’s labyrinthine-plotted masterpiece had been in there nearly five.

“It’s taking longer than we thought—they removed all the plot elements for cleaning, and no one can remember how they go back together again.”

“I’m not sure it will make a difference,” I murmured as we pulled up outside Hangar Eight. The driver said nothing, waited until we climbed out and then drove off without a word.

To say that the interior of the hangar was vast would have been pointless, as the Great Library, Text Grand Central and the CofG also had vast interiors, and continued descriptions of an increasingly hyperbolic nature would be insufferably repetitious. Suffice it to say that there was room on the hangar floor for not only Darcy’s country home of Pemberley but also Rosings, Netherfield and Longbourn as well. They had all been hoisted from the book by a massive overhead crane so the empty husk of the novel could be checked for fatigue cracks before being fumigated for nesting grammasites and then repainted. At the same time, an army of technicians, plasterers, painters, carpenters and so forth were crawling over the houses, locations, props, furnishings and costumes, all of which had been removed for checking and maintenance.

“If this is Pride and Prejudice,” said Thursday5 as we walked toward the Bennets’ property of Longbourn, “then what are people reading in the Outland?”

The house was resting incongruously on wooden blocks laid on the hangar floor but without its grounds—they were elsewhere being tended to by a happy buzz of gardeners.

“We divert the readings to a lesser copy on a standby Storycode Engine, and people read that,” I replied, nodding a greeting to the various technicians who were trying to make good the damage wrought by the last million readings or so. “The book is never quite as good, but the only people who might see a difference are the Austen enthusiasts and scholars. They would notice the slight dulling and lack of vitality, but, unable to come to a satisfactory answer as to why this might be so, they will simply blame themselves—a reading later in the week will once again renew their confidence in the magnificence of the novel.”

We stepped inside the main doorway of Longbourn, where a similar repair gang was working on the interior. They had only just gotten started, and from here it was easier to see the extent of the corrosion. The paintwork was dull and lifeless, the wallpaper hung off the wall in long strips, and the marble fireplace was stained and darkened by smoke. Everything we looked at seemed tired and worn.

“Oh, mercy!” came a voice behind us, and we turned to find Mrs. Bennet dressed in a threadbare poke bonnet and shawl. Following her was a construction manager, and behind him was Mr. Bennet.