I cautiously approached the area of the room the cricket had indicated. Half hidden behind a marionette with no head and a hobby horse in need of sanding was a dull metallic sphere about the size of a grapefruit. It had several aerials sticking out of the top and an array of lenses protruding from the front. I leaned closer and sniffed at it cautiously. I could smell the odor of corrosion and see the fine pits on the heat-streaked surface. This wasn’t an errant space probe from the Sci-fi canon; it was too well described for that. Bradshaw had been right—it was trans-fictional.

“Where do you think it’s from?” asked the cricket. “We get scraps of other books blowing in from time to time when there’s a WordStorm, but nothing serious. Bottom from A Midsummer Night’s Dream sheltered here for a while during the textphoon of ’32 and picked up a thing or two from Lamp-Wick, but only the odd verb or two otherwise. Is it important?”

“Not really,” I replied. It was a lie, of course—but I didn’t want a panic. This was anything but unimportant. I gently rotated the probe and read the engraved metal plate on the back. There was a serial number and a name that I recognized only too well—the Goliath Corporation. My least favorite multinational and a thorn in my side for many years. I was annoyed and heartened all at the same time. Annoyed that they had developed a machine for hurling probes inside fiction, but heartened that this was all they had managed to achieve. As I peered closer at the inert metallic ball, there was a warning chirp from my bag. I quickly dug out a small instrument and tossed it to Thursday5.

“A reader?” she said with surprise. “In here?”

“So it seems. How far away?”

She flipped the device open and stared at the flickering needle blankly. Technology was another point she wasn’t that strong on. “We’re clear. The reader is…er, two paragraphs ahead of us.”

“Are you sure?”

She looked at the instrument again. It was a Narrative Proximity Device, designed to ensure that our intrafictional perambulations couldn’t be seen by readers in the Outland. One of the odd things about the BookWorld was that when characters weren’t being read, they generally relaxed and talked, rehearsed, drank coffee, watched cricket or played mah-jongg. But as soon as a reading loomed, they all leaped into place and did their thing. They could sense the reading approaching out of long experience, but we couldn’t—hence the Narrative Proximity Device. Being caught up in a reading wasn’t particularly desirable for a Jurisfiction agent, as it generally caused a certain degree of confusion in the reader. I was spotted once myself—and once is once too often.

“I think so,” replied Thursday, staring at the meter again. “No, wait—yes.”