“I have a seat at the upper-level policy-directive meetings as the official LBOCS. Since I’m an Outlander, I have powers of abstract and long-term thought that most fictioneers can only dream about. The thing is, I don’t generally toe the line, and Jobsworth doesn’t like that.”

“Can I ask a question?” asked Thursday5 as we took the elevator back down into the heart of the Great Library.

“Of course.”

“I’m a little confused over how the whole imaginotransference technology works. I mean, how do books here get to be read out there?”

I sighed. Cadets were supposed to come to me for assessment when they already knew the basics. This one was as green as Brighton Rock. The elevator stopped on the third floor, and I pulled open the gates. We stepped out into one of the Great Library’s endless corridors, and I waved a hand in the direction of the bookshelves.

“Okay: imaginotransference. Did any of your tutors tell you even vaguely how the reader-writer thing actually works?”

“I think I might have been having a colonic that morning.”

I moved closer to the shelves and beckoned her to follow. As I came to within a yard of the books, I could feel their influence warm me like a hot radiator. But it wasn’t heat I was feeling; it was the warmth of a good story, well told. A potpourri of jumbled narrative, hovering just above of the books like morning mist on a lake. I could actually feel the emotions, hear the whispered snatches of conversation and see the images that momentarily broke free of the gravity that bound them to the story.

“Can you feel that?” I whispered.

“Feel what?”

I sighed. Fictional people were less attuned to story; it was rare indeed that anyone in the BookWorld actually read a book—unless the narrative called for it.

“Place your hands gently against the spines.”

She did as I asked, and after a moment’s puzzlement she smiled.

“I can hear voices,” she whispered back, trying not to break the moment, “and a waterfall. And joy, betrayal, laughter—and a young man who has lost his hat.”

“What you’re feeling is the raw imaginotransference energy, the method by which all books are dispersed into the reader’s imagination. The books we have in the Outland are no more similar to these than a photograph is to the subject—these books are alive, each one a small universe unto itself—and by throughputting some of that energy from here to their counterparts in the real world, we can transmit the story direct to the reader.”

Thursday took her hand from the books and experimented to see how far out she had to go before losing the energy. It was barely a few inches.

“Throughputting? Is that where Textual Sieves come into it?”