Back First Among Sequels
Chapters (48)
  1. First Among Sequels
  2. Thursday Next Book 5
  3. Jasper Fforde
  4. ALSO BY JASPER FFORDE
  5. FirstAmongSequels
  6. Jasper Fforde
  7. Contents
  8. Author’s Note
  9. FirstAmongSequels
  10. Breakfast
  11. Mum and Polly and Mycroft
  12. Acme Carpets
  13. Jurisfiction
  14. Training Day
  15. The Great Library andCouncil of Genres
  16. A Probe Inside Pinocchio
  17. Julian Sparkle
  18. Core Containment
  19. The Well of Lost Plots
  20. The Refit
  21. Kids
  22. The ChronoGuard
  23. Home Again
  24. Cheese
  25. Breakfast Again
  26. Aornis Hades
  27. The Goliath Corporation
  28. The Austen Rover
  29. Holmes
  30. Next
  31. The Piano Problem
  32. Policy Directives
  33. The Paragon
  34. Thursday Next
  35. Bound to the Outland
  36. The Discreet Charmof the Outland
  37. Time Out of Joint
  38. Now Is the Winter
  39. Spending the Surplus
  40. The Austen Rover Roving
  41. Somewhere Else Entirely
  42. Rescue/Capture
  43. The Bees, the Bees
  44. Senator Jobsworth
  45. The Great Samuel Pepys Fiasco
  46. The End of Time
  47. A Woman NamedThursday Next
  48. My Thanks to:

“That’ll be Speedy Muffler, the senator from the Racy Novel genre, although I suspect that might not be his real name.”

“They have a senator?”

“Of course. Every genre has at least one, and depending on the popularity of subgenres, they might have several. Thriller which is subgenred into political, Spy and Adventure, has three. Comedy at the last count had six; Crime has twelve.”

“I see. So what’s Racy Novel’s problem?”

“It’s a border dispute. Although each book exists on its own and is adrift in the intragenre space known as the Nothing, the books belonging to the various genres clump together for mutual protection, free trade of ideas and easy movement of characters.”

“I get it. Books of a feather flock together, yes?”

“Pretty much. Sensibly, Thriller was placed next door to Crime, which itself is bordered by Human Drama—a fine demonstration of inspired genreography for the very best mutual improvement of both.”

“And Racy Novel?”

“Some idiot placed it somewhat recklessly between Ecclesiastical and Feminist, with the tiny principality of Erotica to the far north and a buffer zone with Comedy to the south comprising the subcrossover genre of Bedroom Farce/Bawdy Romp. Racy Novel gets along with Comedy and Erotica fine, but Ecclesiastical and Feminist really don’t think Racy Novel is worthy of a genre at all and often fire salvos of long-winded intellectual dissent across the border, which might do more damage if anyone in Racy Novel could understand them. For its part, Racy Novel sends panty-raiding parties into its neighbors, which wasn’t welcome in Feminist and even less in Ecclesiastical—or was it the other way around? Anyway, the whole deal might have escalated into an all-out genre war without the Council of Genres stepping in and brokering a peace deal. The CofG would guarantee Racy Novel’s independence as long as it agreed to certain…sanctions.”

“Which were?”

“An import ban on metaphor, characterization and competent description. Speedy Muffler is a bit of a megalomaniac, and both Feminist and Ecclesiastical thought containment was better than out-and-out conflict. The problem is, Racy Novel claims that this is worse than a slow attritional war, as these sanctions deny it the potential of literary advancement beyond the limited scope of its work.”

“I can’t say I’m very sympathetic to that cause.”

“It’s not important that you are—your role in Jurisfiction is only to defend the status—”

I stopped talking, as something seemed to be going on down in the debating chamber. In a well-orchestrated lapse of protocol, delegates were throwing their ballot papers around, and among the jeering and catcalls Muffler was struggling to make himself heard. I shook my head sadly.

“What is it?”

“Something that Racy Novel has been threatening for some time—they’ve claimed to have developed and tested a…dirty bomb.”

“A what?”