W e stepped outside the colonnaded entrance of Norland Park and basked in the warmth of the sunshine. The story had long ago departed with the Dashwood family to Devon, and this corner of Sense and Sensibility was quiet and unused. To one side a saddled horse was leaning languidly against a tree with a hound sitting on the ground quite near it. Birds sang in the branches, and clouds moved slowly across the heavens. Each cloud was identical, of course, and the sun didn’t track across the sky as it did back home, and, come to think of it, the birdsong was on a twenty-second loop. It was what we called “narrative economics,” the bare amount of description necessary to create a scene. The Book-World was like that—mostly ordered, and without the rich texture that nature’s randomness brings to the real world.

We sat in silence for a few minutes to wait for my taxi. I was thinking about the mostly bald Pickwick, Friday’s ChronoGuard presentation, Felix8’s return and my perfidy to Landen. Thursday5 had no such worries—she was reading the astrology section of the BookWorld’s premier newspaper, The Word.

After a while she said, “It’s my birthday today.”

“I know.”

“You do? How?”

“Never mind.”

“Listen to what it says in the horoscopes: ‘If it is your birthday, there may be an increased amount of mail. Expect gifts, friendly salutations from people and the occasional surprise. Possibility of cake.’ That’s so weird—I wonder if any of it will come true?”

“I’ve no idea. Have you noticed the amount of Mrs. Danvers you see wandering around these days?”

I mentioned this because a pair of them had been seen at Norland Park that morning. They were becoming a familiar sight in fiction, hanging around popular books out of sight of the reader, looking furtive and glaring malevolently at anyone who asked what they were up to. The excess of Mrs. Danvers in the Book-World was easily explained. Generics, or characters-in-waiting, are created blank, without any personality or gender, and are then billeted in novels until called up for training in character schools. From there they are sent either to populate the books being built or to replace characters who are due for retirement or replacement. The problem is, generics have a chameleonic habit of assimilating themselves to a strong leading character, and when six thousand impressionable generics were lodged inside Rebecca, all but eight became Mrs. Danvers, the creepy house keeper of Manderley. Since creepy house keepers are not much in demand these days, they were mostly used as expendable drones for the Mispeling Vyrus Farst Respons Groop or, more sinisterly, for riot control and any other civic disturbances. At Jurisfiction we were concerned that they were becoming another layer of policing, answerable only to the Council of Genres, something that was stridently denied.