I leaned back in my chair to think more clearly and let my eyes wander around the room. I had a good collection of books, amassed during my long career as a Literary Detective. Major and minor classics, but little of any great value. I stopped and thought for a moment, then started to rummage through my bookshelf until I found what I was looking for—one of Commander Bradshaw’s novels. Not one he wrote, of course, but one of the ones that featured him. There were twenty-three in the series, written between 1888 and 1922, and all featured Bradshaw either shooting large animals, finding lost civilizations or stopping “Johnny Foreigner” from causing mischief in British East Africa. He had been out of print for over sixty years and hadn’t been read at all for more than ten. Since no one was reading him, he could say what he wanted in his own books, and I would be able to read what he said. But there were a few problems: one, that twenty-three books would take a lot of reading; two, that Text Grand Central would know if his books were being read; and three, that it was simply a one-way conduit, and if he did leave a message, he would never know if it was me who’d read it.

I opened Two Years Amongst the Umpopo and flicked through the pages to see if anything caught my eye, such as a double line space or something. It didn’t, so I picked up Tilapia, the Devil-Fish of Lake Rudolph and, after that, The Man-Eaters of Nakuru. It was only while I was idly thumbing through Bradshaw Defies the Kaiser that I hit pay dirt. The text of the book remained unaltered, but the dedication had changed. Bradshaw was smart; only a variance in the story would be noticed at Text Grand Central—they wouldn’t know I was reading it at all. I took the book back to my desk and read:

Thursday, D’girl.