Back Firebird
Chapters (23)
  1. Cover
  2. Dedication
  3. Epigraph
  4. PRELUDE
  5. PART ONE
  6. 1
  7. 2
  8. 3
  9. 4
  10. 5
  11. 6
  12. PART TWO
  13. 7
  14. 8
  15. 9
  16. 10
  17. 11
  18. FANFARE & FINALE
  19. Acknowledgments
  20. About the Author
  21. ALSO BY MARK DOTY
  22. Copyright
  23. About the Publisher

We will hear Smetana’s The Bartered Bride and Manuel de Falla’s El Amor brujo, a ballet score about a Spanish sorcerer and Gypsy passion, whose title conjures for me the label of a cologne my mother always wears, a black mantilla and a clutch of blooms printed beneath the words Flor de Blas. She’s bought a black mantilla herself, and for special occasions pins it in her hair, dons a jingling trio of thin silver bracelets, fastens a gardenia to her collar and enters my room on a cloud of Flor de Blas, underpinned by the duskier scent of the gardenia, to kiss me good night because they are going…Where on earth are they going? A party for the men who work at the missile sites, dinner in a fancy Mexican restaurant? Everyone is proud that I do not require a baby-sitter; I like to be home alone: there is reading, there are Tarzan movies on TV, or badly dubbed Italian movies about Hercules, always the same: a hero, a princess, a tiresome comic dwarf. At some point Hercules will be tortured, which is the best part: strapped to a table or tied to a tree, oiled and naked but for a loincloth or a short white pleated skirt, the hero will ripple and writhe. The best part of El Amor brujo is called “Ritual Fire Dance,” a sexy appellation redolent of Hercules or Yma Sumac.

I have discovered masturbation, or at least a prepubescent version thereof. My parents have a back massager, a black contraption with a red rubber tip shaped like a suction cup; plug it in and switch it on and the cup vibrates back and forth so rapidly you can’t really see it move, just a blur at the tip. They keep it in their bedside table, in a drawer beneath the alarm clock with its glowing radium dial and its frame of blue-tinted mirror glass. When they’re gone I go and get it, plug in the long black cord, and then hold the head of it in my lap, right up against myself; the vibration, through the cloth of my pants, produces an irresistible pleasure, the perfect accompaniment to the travails of Hercules. This delight ends in a crescendo suddenly almost too intense to stand then turns to pain: Ritual Fire Dance. I’m too young for an ejaculation, but something’s happened, a peak and culmination. Now hide it, quick, put it back in exactly the position you found it.