Back Find Them Dead Save as PDF
Chapters (130)
  1. Cover
  2. FIND THEM DEAD
  3. Dedication page
  4. Maps
  5. 1
  6. 2
  7. 3
  8. 4
  9. 5
  10. 6
  11. 7
  12. 8
  13. 9
  14. 10
  15. 11
  16. 12
  17. 13
  18. 14
  19. 15
  20. 16
  21. 17
  22. FOUR MONTHS LATER
  23. 18
  24. 19
  25. 20
  26. 21
  27. 22
  28. 23
  29. 24
  30. 25
  31. 26
  32. 27
  33. 28
  34. 29
  35. 30
  36. 31
  37. 32
  38. 33
  39. 34
  40. 35
  41. 36
  42. 37
  43. 38
  44. 39
  45. 40
  46. 41
  47. 42
  48. 43
  49. 44
  50. 45
  51. 46
  52. 47
  53. 48
  54. 49
  55. 50
  56. 51
  57. 52
  58. 53
  59. 54
  60. 55
  61. 56
  62. 57
  63. 58
  64. 59
  65. 60
  66. 61
  67. 62
  68. 63
  69. 64
  70. 65
  71. 66
  72. 67
  73. 68
  74. 69
  75. 70
  76. 71
  77. 72
  78. 73
  79. 74
  80. 75
  81. 76
  82. 77
  83. 78
  84. 79
  85. 80
  86. 81
  87. 82
  88. 83
  89. 84
  90. 85
  91. 86
  92. 87
  93. 88
  94. 89
  95. 90
  96. 91
  97. 92
  98. 93
  99. 94
  100. 95
  101. 96
  102. 97
  103. 98
  104. 99
  105. 100
  106. 101
  107. 102
  108. 103
  109. 104
  110. 105
  111. 106
  112. 107
  113. 108
  114. 109
  115. 110
  116. 111
  117. GLOSSARY
  118. ACKNOWLEDGEMENTS
  119. NOW A MAJOR ITV SERIES
  120. I FOLLOW YOU
  121. 1
  122. 2
  123. 3
  124. 4
  125. 5
  126. 6
  127. DISCOVER THE ROY GRACE BOOKS
  128. FIND THEM DEAD
  129. The Detective Superintendent Roy Grace books in order
  130. Also by Peter James

As everyone stood, silent, Jupp walked past the screened-off area for vulnerable witnesses, revelling in the expectant atmosphere, the same as at the start of every major case. It often felt to him similar to the moment the curtain rose at the start of a play, and indeed in his view, to some considerable extent, court cases were theatre. Both in the antiquated costumes worn by some of the players, and the fact that many barristers were, in secret, frustrated actors.

But courts were theatres where, unlike make-believe tragedies such as Hamlet, the bodies on the stage were often all too real. A theatre where, when the final curtain descended, there were no bows. Just the grim reality of the sometimes-crushing verdict. Theatre in which a legally innocent person – at the time of the trial – might be fighting for their reputation, career and liberty.

As was the defendant facing him now, in the enclosed glass dock, accompanied by a security guard. A short, harmless-looking man, wearing a blue suit, white shirt and dark tie – no doubt as instructed by his barrister, Jupp thought with a smile. Ensuring clients dressed in a manner to make them look as innocent as possible was something he had always emphasized during his time at the Bar, when briefing clients for their court appearance. Navy blue was the friendliest suit colour. Theatrical costume, again.

In the front row below Jupp was the formally wigged and gowned prosecutor, Stephen Cork, with his junior, Paul Williams, behind. The other side of the court there was Primrose Brown QC, and her junior, Crispin Sykes, behind her. A formidable QC from the same Inn of Court as himself, Primrose and he once both belonged to the same chambers. But their friendly acquaintance would play no part in this trial.

Immediately behind them was a suited woman sitting on her own, the Crown Prosecution solicitor, and separated by a wide gap, a woman in her thirties conferring earnestly with a tall, silver fox of a man in his fifties – the defence solicitors. Seated again, all of them on both benches were busy with last-minute preparations, checking through files or jotting notes. And the defence, no doubt, dealing with the late arrival of the financial report.

To Jupp’s left were a number of reporters in the press box and, below them, to the side of the dock, the usher was seated, with two police officers in smart business attire behind him – the Senior Investigating Officer who he recognized as DI Glenn Branson and another detective, the Exhibits Officer, one or the other of whom would be present for much of the trial.