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Chapters (16)
  1. Cover
  2. Dedication
  3. Introduction
  4. CATALOGUE OF THE EXHIBITION
  5. Greenwich Village, 1953–54
  6. Lower East Side, 1954–56
  7. Brooklyn Heights, 1956–1961
  8. Park Slope, 1961–63
  9. “The Samantha Series”
  10. Park Slope, 1963–70
  11. Cleveland, 1970–76
  12. The Last Self-Portraits
  13. Acknowledgments
  14. Reading Group Guide
  15. About the Author
  16. Copyright

KENNETH LOWELL: By now, I was getting cockeyed at the bar until one or two a.m. and coming to work hungover on a regular basis. Since Lillian did not seem to notice, I had counted on no one else noticing, either, but there I was mistaken. It seemed Mr. Hardham expected us to use the morning to dispatch our more demanding responsibilities in advance of our regular souse at the day’s lunch meeting, after which we were supposed to be clearheaded enough to manage the afternoon’s litany of telephone calls. My artist pals’ drinking regimens were purely recreational and did not extend to three-martini lunches. Also, they could sleep in.

No matter what time I stumbled home, Lil was in the darkroom. One night, instead of going to bed, I lurched over to that inviolable door and heard a man murmuring on the other side. The sound of that voice made me instantly sober, or at least I thought it had, but were that the case, I suppose I would not have slammed my arm into the door. Lil shrieked, and I heard something clatter to the floor. Only then did it occur to me to try turning the knob. As the unlocked door swung open, the man continued to speak, unfazed by my sudden appearance. In the dim red light I saw Lil’s terror-stricken face, an overturned tray of developer, and the radio, its dial covered to mask the glow.

In retrospect, I’m thankful that by the time Hardham and Young finally gave me the ax, Gryphon House was still looking for a publicity director. Had that not been the case, I would not have met Catherine. I would not have been the father of Kate and Harrison. And when I think of not having been part of Levin’s Facing North or Tillary’s The Last Lunge, I am left feeling almost as empty as when imagining a life without my wife and children.

JOURNAL ENTRY, SEPTEMBER 1960: I’m the only one who benefits from Grete’s broken situation, because now you’re always keen for our morning excursions. Grete and Kaja’s new apartment is an hour’s walk away, ninety minutes if we scenically detour through Fort Greene. Knowing Kaja is waiting at our trip’s end makes you willing to venture into all kinds of weather. Needless to say, it’s a rotten trade.