Back Far from the Light of Heaven
Chapters (65)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Chapter One
  5. Ten Years Later…
  6. Chapter Two
  7. Chapter Three
  8. Fin
  9. Chapter Four
  10. Chapter Five
  11. Salvo
  12. Chapter Six
  13. Chapter Seven
  14. Shell
  15. Fin
  16. Chapter Eight
  17. Chapter Nine
  18. Chapter Ten
  19. Chapter Eleven
  20. Chapter Twelve
  21. Chapter Thirteen
  22. Beko
  23. Chapter Fourteen
  24. Chapter Fifteen
  25. Chapter Sixteen
  26. Chapter Seventeen
  27. Chapter Eighteen
  28. Awe
  29. Chapter Nineteen
  30. Chapter Twenty
  31. Chapter Twenty-one
  32. Chapter Twenty-two
  33. Chapter Twenty-three
  34. Chapter Twenty-four
  35. Chapter Twenty-five
  36. Chapter Twenty-six
  37. Chapter Twenty-seven
  38. Chapter Twenty-eight
  39. Chapter Twenty-nine
  40. Chapter Thirty
  41. Chapter Thirty-one
  42. Chapter Thirty-two
  43. Chapter Thirty-three
  44. Chapter Thirty-four
  45. Chapter Thirty-five
  46. Chapter Thirty-six
  47. Chapter Thirty-seven
  48. Chapter Thirty-eight
  49. Chapter Thirty-nine
  50. Shell
  51. Chapter Forty
  52. Chapter Forty-one
  53. Chapter Forty-two
  54. Chapter Forty-three
  55. Chapter Forty-four
  56. Chapter Forty-five
  57. Chapter Forty-six
  58. Chapter Forty-seven
  59. Afterword
  60. Acknowledgements
  61. Discover More
  62. extras
  63. meet the author
  64. A Preview of "Nophek Gloss"
  65. By Tade Thompson

Lawrence, Governor of Lagos, is first out of the hatch.

He feels twenty years younger and he does not hesitate in anything he does.

Above, the blackness of space; below, the deceptively slow scene of Bloodroot’s white clouds and green landmasses passing in rotation. He hasn’t done an EVA in years, but it all comes back when said and done. The dressing, diaper, polypropylene underwear, LCVG for temperature control, the suit over all of this, and the constant checklists for safety. Familiar and reassuring. He is home.

Lawrence shackles himself to the grab rail with a carabiner and clears the space so that Joké can emerge.

A white bag pokes out of the hatch and Lawrence snatches it and hooks it to a tether on his suit. Six other tethers float like worms at different spots on his suit torso. After the bag, Joké comes flying through, casually, carelessly, as if the hatch didn’t lead to the open cosmos. She seems a lot faster and smoother than he. She hooks two carabiners to the hatch, looks back, then thumbs up to Lawrence. Her MCP suit is a lot more manoeuvrable than his.

The movement aft is painstaking, slow, a process of crawling along the fuselage, hooking and unhooking, verifying position. It’s not a smooth aircraft body; the Ragtime is a mess of cables and pipes, panels and tech Lawrence does not understand, though he does not need to in most cases. Arrows and numbers indicate where they are; otherwise, it would be incomprehensible without mission control.

There are tiny particles here and there – ice and the remnants of the section breakaway, no doubt – floating like dust. Bloodroot rolls on, indifferent, like the stars.

Nor are they the only source of movement. There are robots here, all dwarfed by the BDA, Big Dumb Arm, which hulks over Lawrence and Joké when they move under it. Its shadow falls on them when the sun is in the right orientation. The auto-polarising visors distort this.

Lawrence signals a rest. “I swear, this used to be easier.”

“Uncle Hal used to call EVAs cakewalks,” says Joké. “I never understood why.”

“Play on words. Spacewalk, cakewalk.”

“What’s a cakewalk?”

“I… don’t know. Something that is easy to do. Maybe you do the thing and get a cake as prize.”

“For some reason, I imagined walking cakes.”

“No such thing.”

“Umm, you don’t know that.”

“I know that Salvo hasn’t checked in.”

Joké hails a few times, no response. The transmission seems to confuse a few of the scurrying bots.

“These bots should be using ECOSYSTEM right now if the primary AI has failed, right?” says Joké.

“That sounds right,” says Lawrence. He scratches his nose with in-helmet Velcro and sips water.

“ECOSYSTEM favours stereotyped actions. These bots are responding to our presence, Father.”