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Chapters (67)
  1. Dedication
  2. 1Playing the Sap—Again
  3. 2Fit for Life
  4. 3Auteur Deconstructed
  5. 4Long Shot
  6. 5Designer Beer
  7. 6Crossing the River
  8. 7A Happening Place
  9. 8On the Hill
  10. 9Red Menace
  11. 10What Big Teeth You Have
  12. 11Rabid Fans
  13. 12Ugly Duckling
  14. 13One Sober Minute
  15. 14It’s a Mad, Mad, Mad, Mad Scientist
  16. 15And Besides, the Mensch Is Dead
  17. 16Down by the Riverside
  18. 17Junkyard Dogs
  19. 18Those Good Old Days
  20. 19Dead End
  21. 20The Short-Tempered Arm of the Law
  22. 21Voices from Home
  23. 22Barflies
  24. 23Picture Perfect
  25. 24Trespassers W
  26. 25Trouble in Douglas County
  27. 26Patriots Care
  28. 27Spiritual Adviser
  29. 28Disappearing Act
  30. 29Data Swapping
  31. 30Visiting Brass
  32. 31Origin Stories
  33. 32Carrying the Can
  34. 33Picking Through the Bones
  35. 34Hard Words
  36. 35Knee-Deep in Water
  37. 36Casual Day in Court
  38. 37Twenty-Four-Karat Smile
  39. 38Upscale Housing
  40. 39Surprise, Surprise!
  41. 40Polar Bear
  42. 41You’re So Ignorant
  43. 42Sonia, April 1983
  44. 43Hazmat Site
  45. 44Swabbing the Decks, or Something
  46. 45Here for the Duration
  47. 46The Fighting Germs
  48. 47Playing with Germs
  49. 48Late Night at the Library
  50. 49Baby Blues
  51. 50Where Oh Where Can My Baby Be?
  52. 51Known Unknowns
  53. 52Good Country People
  54. 53Date Night at the Movies
  55. 54Now the Wench Is Dead
  56. 55Men in Black
  57. 56Snake Eyes
  58. 57Tang Soo
  59. 58Ci Sono
  60. 59Entertaining Visitors
  61. 60Fairy Tales
  62. 61The Sisters Grow Up
  63. 62There’s No Place Like Home
  64. Thanks
  65. About the Author
  66. Also by Sara Paretsky
  67. About the Publisher

I took Peppy with me: the chilly day was starting to get dark, a time when melancholy and loneliness can tighten their grip. Every time I logged on to my server, I checked for messages from Jake: e-mail, Skype, Facebook. Silence from Switzerland. I’d stopped sending my own messages—it made me feel too much like some forlorn figure in a fifties romance, waiting by the phone.

We passed the Amtrak station, a snug-looking little limestone building. A plaque on the station wall at about waist level commemorated the high-water mark from the 1951 flood. As I stopped to read the history, a dark SUV pulled up behind us and barely slowed before taking off with a great revving of its engine. I jerked Peppy’s leash to pull her close to me: I didn’t want to lose her to some would-be NASCAR racer.

Giant grain elevators blocked my view up the tracks. As we were crossing, a freight train rounded a curve, hooting mournfully. We jumped out of the way in time, but my heart was beating uncomfortably. Race-car drivers, fast trains, excitement I never experienced in Chicago.

We were about half a mile from the riverbank here. I imagined the muddy waters rushing in, taking away cars and houses, rotting the grain in the elevators. I shivered with something more than cold.

We skirted a dumping operation and a scrapyard whose sign proclaimed, lou & ed: breathing new life into old metal. It was as though I were looking at a microcosm of my South Chicago childhood. Instead of steel mills and the CID landfill, North Lawrence held grain elevators and scrapyards.

When we reached the residential stretch of Sixth Street, the houses looked old and feeble, not strong enough to survive a wild wind, let alone floodwaters that would have covered their roofs. Industry, salvage, dumping, and housing for the poor—they always go hand in hand.

As we trudged along Sixth Street, I saw what Gertrude Perec had meant about the houses being built next to the ground. They didn’t sit on foundations; doors opened level with the walkways. I would have guessed a Kansas house wouldn’t be built without a basement against tornadoes, but these little bungalows couldn’t run to anything more than a crawl space under the floor. Mud, spiders, snakes—I’d rather take my chance on the winds.

The Ferring house was still standing, or at least a house at that address was still there. With its peeling paint and sagging eaves, it looked as though it could have dated back to the Civil War.