Back Fake Like Me Save as PDF
Chapters (42)
  1. Cover
  2. Title
  3. Dedication
  4. Carey Logan Retrospective Coming to Young Museum
  5. 1996
  6. Chapter One
  7. 2011
  8. Chapter Two
  9. Prudence
  10. Chapter Three
  11. Chapter Four
  12. Chapter Five
  13. Chapter Six
  14. Humility
  15. Chapter Seven
  16. Chapter Eight
  17. Chapter Nine
  18. Chapter Ten
  19. Chapter Eleven
  20. Chapter Twelve
  21. Chapter Thirteen
  22. Chapter Fourteen
  23. Chapter Fifteen
  24. Chapter Sixteen
  25. Chastity
  26. Chapter Seventeen
  27. Modesty & Temperance
  28. Chapter Eighteen
  29. Purity & Obedience
  30. Chapter Nineteen
  31. Chapter Twenty
  32. Chapter Twenty-One
  33. Chapter Twenty-Two
  34. Chapter Twenty-Three
  35. Chapter Twenty-Four
  36. One Year Later
  37. Chapter Twenty-Five
  38. Acknowledgments
  39. Discover Barbara Bourland
  40. About the Author
  41. Also by Barbara Bourland
  42. Reading Group Guide

“Oh—uh—I guess I could do it that way,” I assented. “Hold on.” I paged through the notebook and felt only marginally useful as I called the measurements. Jes ran the table saw, Marlin positioned the lumber, and Jack screwed it into place.

Tyler stood off to the side. He’d given me his job, only to be polite.

“You guys are very good at working together,” I observed as they glued the foam to the frame with absolute precision, without a smudge, without a drip, without a single mistake.

“No kidding.” Jes snickered. She looked at Tyler with an expression that said, I cannot wait to be free of this stupid idiot.

I used two very fine hot knives to cut the foam: both curved, one like a scythe, the other a shallow crescent. The foam sloughed off in sheets, falling away in buttery peels as I formed the long, rounded lines of the frame. I felt them watching me—and I didn’t imagine it—there were waves of approval as I cut the support wedges in the back, the ones that would become the notches upon which the paintings hung. They murmured something to each other, and I imagined that it was kind.

When it was time to apply the latex, I tried to speak to Jes, Jack, Marlin, and Tyler with the voice that I used for assistants. I did not bring my hand back when we reached for the same tool or move out of the way when we stepped in the same direction, and I bit my cheeks every time the word sorry threatened to bubble up from the back of my throat.

After a few hours, a new hierarchy settled into place: When I moved, they stepped aside to let me pass. When I reached for something, they handed it to me. They waited for me to speak before speaking. And at the end of the day, there were three molds—something that would have taken me a week on my own.

“This—this looks like years of work,” Marlin said to me as I locked up, pointing to my paintings. “You did this alone? In three months?”

“It was more like two. Yes, I did.”

She shook her head. “It’s enough to break someone.”

“Carey did it,” I said to her. “Carey did it a thousand times.”

“I guess so,” Marlin said, turning away. “I guess Carey did.”

*  *  *

The next morning, I tacked a chart to the wall.

painting color frame
Prudence interior pink and Verdi green unripe peach
Humility 4 a.m. night sky navy metallic silver w/ 2% acid green
Chastity eggshell and pearl, rainbow dun gray (the darkest feather on a pigeon)
Temperance the bloodiest red rothko chapel purple
Modesty grease yellow fuchsia (disco)
Purity almost white absolutely crystal clear,
carbonated
Obedience every black absolutely crystal clear,
carbonated

Tyler arrived first. I pointed at the chart without making eye contact.

“Will you speak to me today?” he asked.

“No.”