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Chapters (42)
  1. Cover
  2. Title
  3. Dedication
  4. Carey Logan Retrospective Coming to Young Museum
  5. 1996
  6. Chapter One
  7. 2011
  8. Chapter Two
  9. Prudence
  10. Chapter Three
  11. Chapter Four
  12. Chapter Five
  13. Chapter Six
  14. Humility
  15. Chapter Seven
  16. Chapter Eight
  17. Chapter Nine
  18. Chapter Ten
  19. Chapter Eleven
  20. Chapter Twelve
  21. Chapter Thirteen
  22. Chapter Fourteen
  23. Chapter Fifteen
  24. Chapter Sixteen
  25. Chastity
  26. Chapter Seventeen
  27. Modesty & Temperance
  28. Chapter Eighteen
  29. Purity & Obedience
  30. Chapter Nineteen
  31. Chapter Twenty
  32. Chapter Twenty-One
  33. Chapter Twenty-Two
  34. Chapter Twenty-Three
  35. Chapter Twenty-Four
  36. One Year Later
  37. Chapter Twenty-Five
  38. Acknowledgments
  39. Discover Barbara Bourland
  40. About the Author
  41. Also by Barbara Bourland
  42. Reading Group Guide

Someone who made work like this would have found it impossible to talk to any member of Pine City about anything except the weather and traffic. She must have felt so lonely—and unwanted. I pictured her carving her name into the wall before she left, still the outsider, the two of them—Carey and Maria—split at the seams, enough to leave her drawings behind, to fold the dress up in tissue paper so politely that Carey couldn’t bear to look at it. I felt sudden, tremendous pity.

And—dread.

I didn’t want to be a Maria.

I was a Carey.

No—I was better than Carey. I wasn’t going to give up.

I took the dress and the jacket, tossed them in my truck, shoved the boxes to the side, and returned to my paintings.

*  *  *

The next night, when I returned to my bungalow for dinner, the phone rang.

“Hello?”

“Hey.” It was Tyler. His voice wavered slightly.

“Oh. Hi,” I said nervously, curling the cord around my fingers. “What’s up?”

“I’m—I’m sorry I left so abruptly,” he said right away. “Things got crazy with the install. I had to catch a ride over on somebody’s plane because of some customs bullshit, which meant I had to go to the city earlier, then I had to come back with her, blah blah, anyway, you were working and I didn’t want to disrupt you.”

“That’s fine,” I said, in a way that I hoped could be described as blithe. I’d been to art fairs overseas, too—back when I had money for hotels and travel, when I had a mailbox where invitations rendered in invisible ink or disguised as prescription pill bottles could be delivered. When I had a passport that wasn’t blank. “I’m working, anyway.”

“Fifty days, right?”

“Nearly. Nineteen to paint.”

“Can I bring you anything?”

“When?”

“Tomorrow, maybe Friday night.”

“I’m fine. I’ll see you when you get back,” I said noncommittally.

“You sound like you’re in it. Are you done for the day?”

“No. I was only home for dinner. I have to go back, though.”

“All right. See you soon. If I’m in the studio, knock, okay?” An invitation. He was trying to close the gap between us.

“Okay,” I agreed. “See you soon.”

*  *  *

Two nights later, Tyler’s station wagon was parked in his carport. His house was dark. Down the road, narrow lines of light burst through the taped-up edges of his studio windows. My stomach dropped with anticipation. Nervously, I washed my face, carefully brushed my curls out into a big ’70s halo, tied my t-shirt into a knot at my waist—this one had Opus T. Penguin on it—then marched over to Sports and knocked loudly.