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Fake Like Me

Barbara Bourland
Chapters (42)
  1. Cover
  2. Title
  3. Dedication
  4. Carey Logan Retrospective Coming to Young Museum
  5. 1996
  6. Chapter One
  7. 2011
  8. Chapter Two
  9. Prudence
  10. Chapter Three
  11. Chapter Four
  12. Chapter Five
  13. Chapter Six
  14. Humility
  15. Chapter Seven
  16. Chapter Eight
  17. Chapter Nine
  18. Chapter Ten
  19. Chapter Eleven
  20. Chapter Twelve
  21. Chapter Thirteen
  22. Chapter Fourteen
  23. Chapter Fifteen
  24. Chapter Sixteen
  25. Chastity
  26. Chapter Seventeen
  27. Modesty & Temperance
  28. Chapter Eighteen
  29. Purity & Obedience
  30. Chapter Nineteen
  31. Chapter Twenty
  32. Chapter Twenty-One
  33. Chapter Twenty-Two
  34. Chapter Twenty-Three
  35. Chapter Twenty-Four
  36. One Year Later
  37. Chapter Twenty-Five
  38. Acknowledgments
  39. Discover Barbara Bourland
  40. About the Author
  41. Also by Barbara Bourland
  42. Reading Group Guide

Cover

cover

Title

Dedication

To my contemporaries:

I made this for you,
I made this for me,
I made this for us.

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Carey Logan Retrospective Coming to Young Museum

Carey Logan Retrospective
Coming to Young Museum

The Young Museum announced today that Carey Logan, the artist known for her hyperrealist sculptures who committed suicide by drowning in 2008, will be the subject of a sweeping retrospective at the museum this October.

Dramatic rumors of an as-yet-unseen final work have churned through Chelsea for months, and the museum confirmed today that the exhibition, BODY OF WORK, will include all of Logan’s sculptural and performance works, including the rumored final work. A source from within the institution told The Times that the final work has not been viewed by the curators, and that it will not even be transported to the museum until the exhibition’s opening night.

Ms. Logan’s vivid, detailed representations of human bodies could be—and often were—easily mistaken for the real thing. Made from combinations of ceramics, resin, paper, ink and oil paint, the sculptures were both a visual pun on the currency of a market where the greatest quantities of money so often change hands over the estates of dead artists, and a running commentary on the subjugation and degradation of women.

Her bodies were exhibited all over the world and acquired by dozens of private collectors. But in 2006, Ms. Logan ceased her sculptural work entirely and devoted herself to an earnest revival of 1970s performance art. In separate performances at the Eliot&Sprain gallery over the two years preceding her death, Ms. Logan choked, passed out, slept and stayed awake for days, all on public view, to mixed reviews.

It is not clear whether her final artwork was also made at Eliot&Sprain, or even what medium it is in.

A source familiar with the work who wishes to remain anonymous was unwilling to provide further details. “It cannot be described,” they wrote to The Times in an email. “It is fascinating, highly personal, explicit and extremely upsetting, and must be seen to be believed and understood in its full context.”

BODY OF WORK will open October 21, 2012, and run through June of the following year.

1996

1996

Chapter One

Chapter One